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GameMaker Studio 2.3.1 will allow you to build games for Raspberry Pi - here's how to get it all working!
GameMaker: Studio 2.3.1 will be introducing a significant amount of support for platforms running on ARM. For the most part, exporting to these platforms is a subset of the target platforms (specifically Mac OS and Ubuntu/Linux) that already are supported by GMS2, but the magic happens in the export! If the platform you’re targeting is running on an ARM processor, the build process will handle the heavy lifting. I’ve left a full guide below to getting your projects running on a Raspberry Pi - here are the important take-away’s if you’re familiar with the Ubuntu export process
When building for Linux normally, GMS2 builds a 64-bit binary. This is NOT the case with the ARM build process - it in fact DEPENDS on you running a ARMv7 architecture, which is great news for older hardware (Raspberry Pi 2 + 3).This also means that building your project with a Raspberry Pi 4 running Ubuntu Desktop is out of the question for now, as only 64-bit binaries exist officially.
You can build and run your project with Raspbian (the default Raspberry Pi linux distribution)
Warning: Depending on your project, performance will vary significantly - you should expect to overclock your Raspberry Pi CPU and GPU clock speeds to achieve best performance in graphically intense games. Most folks have their Pi’s overclocked, and it’s a very straight forward process that you can learn about here. I suggest getting a case for your Pi with heatsinks and fan, regardless of your configuration.
Known Supported Linux Distributions for building GMS2 projects on RPi
Ubuntu MATE (ARMhf version)
It’s important to note, while I haven’t tried it, the binaries generated should work fine on most distros running on ARMv8.
What you’ll need:
GameMaker: Studio 2.3.1 (beta currently available on the YYG website) with Desktop export running on either Windows or Mac OS
A Raspberry Pi (I have only done this with the Raspberry Pi 4 model B, but it should work with RPi 3’s as well at the very least).
A linux distribution that is for ARMhf or ARMv7 (The default Raspbian OS works perfectly)
Step 1: Setting up your Raspberry Pi
There are plenty of guides for how to do this online, so I’ll assume you can figure most of this out.Prepare your SD card with either Raspbian or Ubuntu MATE and boot into it on your Raspberry Pi. I suggest going with Raspbian, and most of my notes in here will be specific to it - it will be the most straight-forward option and likely the best performance on Pi. Once Raspbian has booted, let it update using the built-in update manager (it might take a little while) Find a way to entertain yourself... this might take a little bit.
Step 2: Install the dependencies
This is pretty much the same as it would be in any regular Linux setup to build your GMS2 projects, however, if you’re using Raspbian some of the regular dependencies will already be installed - so I’ve skipped the ones we won’t need right now in the list below. If you’re having an issue or using Ubuntu MATE, check out the full list here. > Open "Terminal" For each of these you’ll type “sudo apt install” followed by the listed name, so for the first one we’ll go:
Raspbian has the OpenSSH server dependency that GameMaker: Studio needs already installed, but it’s inactive by default. Browse to the Raspberry Pi Configuration window (located in the Raspberry Pi icon menu > Preferences > Raspberry Pi Configuration and over to the tab “Interfaces”. Enable SSH and press OK. Do not forget to enable SSH!
Step 4: Reboot
I can’t stress this enough - Reboot your Pi. Just do it, it may or may not do anything at this point, but it’s better than not doing it.
Step 5: Set up your connection in GameMaker
This is pretty straight-forward. In the upper right hand corner of your IDE window, change your target platform to Ubuntu.Add a Device for your Raspberry Pi. You can set the Display Name to anything you’d like to, Host Name should be the local ip address for the Raspberry Pi - an easy way to get this is by typing “hostname -I” into your terminal on the Raspberry Pi. By default, if using Raspbian, your username is “pi” and your password is what you set during the Raspbian setup. Here's what my device looks like - your hostname is most definitely different <3 Press “Test Connection” - you should see a message that the connection was successful! If not, double check that the IP address you dropped into Host Name is correct and that you followed step 3 to enable the SSH server. Press “OK” once you’ve gotten a Connection Successful message, and you’re off to the races!
Hey, it's some weirdo again. Bored on a gloomy day, thought I'd write down some thoughts. I see a lot of my fellow sissy weirdos having a lot of serious struggles with whether to come out, whether to live full time, and what kinds of secrets to have. It can be a very painful thing to struggle with, and for a lot of people it's what leads a harmless kink into some serious depression and anxiety. So I just wanted to share a bit about what I've learned along the way in the hopes that it could be beneficial to someone reading. Now just to start with, I have very little judgement and I don't aspire to be a bummer. The last thing I want to do is make you overthink your love of sucking cock, your desire to have your sensitive little sissy nips played with while you're in a pink tutu, or make you feel bad about your secret panty collection. This should be fun, and you should have fun! I don't think sex is inherently something to be ashamed of, nor do I think eschewing normal gender roles is inherently problematic. So don't worry, sweet little sluts, I have you. That said, we do get a little serious towards the end. I feel like I need to give a disclosure here: I live my life as a cis man, but experience some gender dysphoria and have been having sissy experiences for something like a decade. I'm not a mental health professional, and if you're struggling with serious depression, go find one instead of reading reddit threads. That said, if you want someone to relate to, some of my experiences might help. Definition of Sissy So though a million people have done this in the past, I wanted to start by defining what a sissy is. The fact is that nobody can really make a definition that works for everyone as there is no true authority on the matter. But from reading what others have interpreted and from my own personal life experience, I think that a sissy is a person born male who gets sexual gratification out of the idea of being forced/ coerced/ or seduced into acting feminine, dressing feminine, or taking on a feminine role in sex. This is meant to stand in contrast to a trans woman, who is a person assigned male at birth but who identifies distinctly as female. Trans women can certainly still enjoy sissy play, but not all sissies are trans. What's probably the most important thing to take from this definition of sissy is that it sort of has some inherent discord to the definition: "sissy" describes a person who should have had the OPPORTUNITY to be male and masculine, but who instead chooses or is forced to portray a feminine role. The very existence of sissies is thus in a state of inherent disharmony, a disharmony echoed in most sissy porn that frequently expresses coercion or plays off the idea of being degraded to a point of sexual submission. In essence, it's about being one thing AND another, at the same time. It's no surprise then that the idea of secrets and imbalance are an inherent part of the ideology. You are effectively living your life as one thing and another, so it's normal that people confront this idea of secrets and what to be open with. The Value of Secrets In short, everyone has secrets, and secrets can be a fun thing. We all like to act like we're open books, but the fact of the matter is that everyone you know has something they don't share with the world. More of us than not have unique sexual interests or have had unique sexual experiences, and even outside of sex, we all have things we don't want the world to know about. You shouldn't feel like a freak if you have a fun obsession with sexy sissy stuff. If you day dream about having a mouth full of cum all the time, you shouldn't feel bad about that. Gargle away. Secrets in this case are not inherently a bad thing. By their very nature they express a certain vulnerability: they represent something that you know that you wouldn't want the world to know about, and that can make you feel like there's a moralistic imperative to have less of them. Basically you're afraid of your secret leaking to the world, so you think to yourself that your secret is inherently bad. But it isn't! The way I always think about it is this: does your mom need to know what your favorite sex position is? Does your boss need to know when your first hand job was? These are fundamental experiences we all have that don't need to carry a moral weight to them, but that also don't need to be shared in the world. Your personal fetishes can be the same. And there are, from my personal experience, some benefits to having secrets. I spent a long time in my 20s being pretty closeted about my sexual endeavors. I'd meet up with guys from craigslist and suck their cocks, I would dress in my girlfriends clothes and have two guys over to double end me, I snuck off to gay sex parties where i'd suck cock and get fucked by strangers, and the world didn't know about it. As much as I did feel some vulnerability that my secrets might be exposed, I also felt an ongoing sense of confidence. When you have secrets like that, certain things in the world can't touch you. insults that people might make about you or assumptions about you just roll off your back: you know that they don't know the real you, so how could their opinion about you really matter? Only you know the real you. They just see what you want them to see. their judgments mean nothing. Additionally, going through some of the real scary and intense sort of stuff--having gay sex in a public restroom or glory hole, or going to a strangers house to fuck--can sort of turn down the volume on other things in life. Stuff that used to be scary simply isn't anymore because you've dealt with some REAL scary shit, and survived. Even when your secret is that you love taking it in the ass and guzzling piss and cum, it can be empowering to simply have something for YOURSELF. something that you do, because you want to do it, and you aren't afraid of the world's repercussions. The Cost of Secrets All of that said, there are certainly costs to being a secretive person, and some of those costs can be pretty serious and a real bummer. Some of them can have a drastic effect on your mental health. The first thing to confront for sissies of course is whether or not you're expressing internal homophobia or misogyny. Feeling closeted can be an awful feeling. Watching people be out and proud about being gay or being trans and you yourself having impulses that you don't share can make you see yourself as a coward, or a liar, or a fake. You can feel like you're hurting people who are out, or hiding from people who scare you. There's a lot of nuance in the sissy world about this kind of thing so I won't go at it at length, but I would encourage everyone to try to step away from those classic "is being a sissy gay" or "am i gay if i just wanna suck cock" kind of arguments. These sort of things still put the term "gay" as being this awful, OTHER thing that you don't want to be. It's inherently qualifying gay as being a worst case scenario, something to avoid, something to be afraid of. So i would encourage you to have less fear of it as a sexual identity. maybe you are bisexual, or queer, or curious, or whatever. It doesn't matter. What matters is how you feel about it. If, to you, having a preference to suck cock isn't any different than a slight preference for doggy style, then sure, maybe you don't have an obligation to come out as gay or bi or whatever. Looking at some cock here and there isn't a big deal. But if for you it's causing you to feel ashamed, then consider coming out as queer or bisexual. That's what i did! eventually i started feeling awful about being closeted in a world full of hate and homophobia, so i came out. For me, it was a good decision that ended up having a remarkably small effect on my life, and it separated a lot of the mental baggage i had. I still had my secrets, nobody knew exactly WHAT i was doing with guys, but knowing that the world had an idea made me a lot less afraid to be exposed to the world, a lot less ashamed of who i was as a person. So, to summarize, it's a personal decision, but consider non-binary options. You can identify however you want, to whoever you want. Shades of gray are not only permitted, but inevitable. (quick note: there's nothing cowardly or shameful about not coming out if you're in a scary situation. if you live with your parents and your dad is an awful homophobe, you don't have to feel an obligation to come out that said, you should start the wheels on doing ANYTHING and EVERYTHING you can to get out of that situation, at your own pace. get a job, save money, make a plan to move out and gain your own independence so you can start being yourself.) The next risk of being secretive concerns your partners. Many of you are in straight relationships and you might feel like you've got past the point of no return: if you were going to tell your partner that you sometimes suck cock or that you want to wear her clothes or that you look at weird sissy hypno porn, you feel like you should have done it by now. maybe you feel like she won't love you or respect you anymore. This obviously is going to be very different from relationship to relationship. But I would strongly recommend that you open up to people you're in relationships with, and try to do it early. The longer you're with a person the higher the odds are that they'll somehow find out what you've been up to, and if they find out that you have a whole sexual identity that they weren't aware of when they've been with you for years, this can be a very painful and traumatizing process. It isn't that the things you enjoy are inherently BAD, it's simply that you've shown that you don't trust this person to know the whole you, or to be welcomed in. and that can put a serious dent in a relationship. You certainly don't need to tell your partner every time you jerk off or show them what porn you like (unless you do that in a fun, kinky way). but if it's going to be an increasingly big part of your life, consider opening up to them about your interests. In the end, you deserve to be loved and appreciated for who you really are. \**incoming, important part**** Which leads into the biggest problem with secrets. Secrets are fun at first; as stated above, you get a thrill out of having these secret parts to you, these things that make you unique and special. you feel excited, horny, thrilled, and you have a good time. But there is a consequence to this, and that is that you'll begin to subconsciously feel that the people in your life don't know the REAL you. You'll come to believe that your friends, family, and partners only love the version of you that you PROJECT into the world, that they only love you because of who you fake you are. And when you're in a dark place in your life and you're trying to convince yourself that you are a good person, a person who's life has meaning and value... then a loved one looking you in your eyes and telling you they love you and think you're a good person will begin to feel hollow. You won't be able to take comfort in it, because you'll know that they don't actually know the REAL you. and you'll resent that part of yourself, and the people who don't know the real you, and you'll convince yourself that if they DID know the real you, they would hate you. If it isn't clear, I'm talking a bit from experience here. But fear not, there is a way out. I was a man full of secrets and lies, and eventually i realized that to really enjoy my life the way i wanted to i'd have to just be honest. I worked with my partner to open up about who i am and open up our relationship so that i could get what i needed, i gave my friends loose details about me being into weird kinky stuff (and didn't go into more detail than that) and came out as bisexual. And now, when my partner says she loves me, i can believe it. I know she knows the real me. And I have to tell you, my fellow perverts, having someone know the real you, know your deepest darkest feelings and secrets, and still LOVE you is just... the best feeling there is. Whether it's your partner or your friends or your family, it's a very uplifting feeling. So it takes work to communicate these things. You'll need to go out of your comfort zone. you'll hurt feelings, you'll have a hard time communicating, you'll stumble, you'll have moments of remorse. But if you get to the end of that road, you'll be happier and more free than you thought you could be. Whether to go Full Time Ok again, have to say that I'm not a therapist and i'm not a trans person, so take anything I say here with a grain of salt. But I know that lots and lots of you fine sissies are struggling with whether to go from fantasy to reality and transition. The first and most important thing here is that there isn't anything inherently wrong with being trans! So don't consider it a worst case scenario or anything that you should look at with dread. lots of people transition and live much happier lives, so if that's the path for you, enjoy yourself. That said! As I stated above, there's this inherent idea of being a "sissy" that means that you know that you're a man but believe you should act like or be treated like a woman. So a lot of the porn that goes along with sissy stuff tends to deliver this tempting, taunting message that you should finally take the plunge, take the leap, give in to your true desires, and transition. I guess I'd just say that you should jerk off and then think about it, if i'm being straight with you. We all get pretty ... intense, when we're in the heat of a sexual moment. when i'm horny and desperate you can feed me your ass and piss and spit in my face and i'll beg you desperately for more. I've done some shit. And for me personally, it does make me want to fall headlong into sissy play. I want to shave every inch of me, convert my body, throw away all my boxer shorts and be the sissy cock sucker cum dump i was meant to be. But i guess just keep in mind that real life is, in fact, real life. you can't actually look at the life of a cock sucking sissy as a simple ALTERNATIVE to your hum drum life because the fact is that sissies also need to do things like pay rent, have jobs, see their families on the holidays, raise their kids, see that guy from high school at the mall... all the stuff we have to do every day. The fact is there just aren't all these rich guys who want to pay you to dress pretty and be their slut, and the people who do get close to that, just get a few years out of it before they age out. So just jerk off. get it all out of your head, then go back and ask yourself how transitioning would effect your life goals, your relationships with people, and everything else you have going on. if it meets your goals, then go talk to a therapist and see if it's a good idea! If not, maybe you should just chill out and enjoy that you have this ever tempting fetish that you can enjoy for the rest of your days. In the End, Open Your Mind So that's pretty much it. I'd just want to end on this: a lot of sissies feel anxiety about their personal identity because they're trying to force that identity into boxes other people have defined. Whether you're gay or straight, whether you're a male or female, whether you're full time or part time, passable or not, a slave or a pillow princess, a cum addict or just a fantasizer.... these are all just toys for you to play with. none of them have to define you. none of them have to hurt you. you can use them to build up the identity and routine that gives you a sense of sexual satisfaction while preserving your greater life goals. so have fun with it, and relax. the world is your playground. note: if you liked reading this, i've written about lots of other sissy stuff on reddit. just click on my page and you'll see more, i think, i dunno i don't really know reddit. also, i love talking about sex and sexuality, so feel free to dm me with any questions if you don't like to comment directly.
[OC] Punt Rank 2020: Week 5 - Brett Kern Appreciation Club, the continued painful existence of Kevin Huber, PUNTERS THROWING TDs and the birth of Air Townsend. All this and the best video highlights of the week...
Welcome back, Punt Fans, to your slightly later than usual but there's no Thursday Night Football so what else are you going to be doing edition of our weekly hunt for the King of Punt – it’s /NFL’s own Punt Rank. If you haven’t been here with me before, the concept is both simple and fantastically over-engineered. Lemme break it down: Each punter’s performance against five vital punting metrics is ranked against every other punter in the league. Those rankings are combined into a weighted average ranking – the 2020 NFL Punt Rank. Punt Heroes rise to the top; Punt Zeros sink to the bottom. Last week’s post and Week 4 standings are available here for the archivists, and all of this week’s stats analysis and highlights and lowlights in video form are just moments away. As always I’m excited to get your perspectives on your team’s punter, and you can point me to things that I may have missed or overlooked, so please hit me with your feedback and questions in the comments!
Brett Kern (TEN, +1 to #3). Eh what do you want to know. If you’re reading this it means you like punting. If you like punting, you know that Brett Kern is a really, really great punter. And, Q.E.D – Brett was demonstrably great against the Bills on (the other) TNF. His three punts this week for the no-longer-significantly-infectious-Titans pinned Josh Allen and his shorts at the 9, 9 and 3 yard lines – covering 86% of Average Available Field which is GOAT tier punting. Here’s the pick of the bunch (his 41 yard precisiobomb corralled at the 3 yard line by Chris Milton) covering 93% of Available Field, and measuring in 7.6 yards better than an average punt from the opposing 44 yard line. Tidy. In addition to his really really really great punting, the Kerninator also wrangled at least two uttely horrible snaps into decent holds for Gostkowski to continue his kicking renaissance tour, which is a majorly underrated part of the punter job description... Logan Cooke (JAX, +12 to #13). SPEAKING OF PUNTER HOLDS AND THE EFFECT IT HAS ON KICKERS. Now I’m not saying that Chef had anything to do with the end of Stephen Hauschka’s NFL career on Sunday (0 for 2 within less than two minutes at the end of the first half, not called upon again, then cut PDQ after the weekend), but then I’m not not saying that either. Luckily for Logan (shoot I think I used that joke last week as well) the punting element of his game was without such ugly question marks. 100% of his three punts ended inside the Houston 20 yard line, covering 73%, 83% and 89%of Available Field, sneaking him up to 13th overall. Now let’s see if he can hold onto it. Geddit? Hold?! Pah.
Bad Week for
Kevin Huber (CIN, -8 to #24). On a game where the Bengals only managed the paltry total of 12 first downs (an average of one, yes ONE first down on their 12 offensive drives), K-Hub’s Bad Day was at least somewhat salvaged by the first half holy trinity of Turnover on Downs, INT and Fumble on consecutive drives (2, 3 and 4 – if you’re counting). Without that magical offensive incompetence, he could have been looking at double figure punts (I see you, Tress Way in Washington). As it was, he escaped with just the seven (!), but he takes a slide in the Punt Rank rankings as two of those (admittedly 57 and 60 yard boots) snuck for touchbacks, taking his season touchback percentage total to 26.1% which is second last in the league, just behind Tommy Townsend (more on him later). None of the magnificent seven made it inside the 20, wiping 13% off his season long percentage. However, in Kev’s defence, the first of his two end-zone-botherers this week was another case of coulda woulda shoulda from his coverage team. Alex Erikson heroically made up all the ground to reach the ball as it took a hop into the end zone, but his flailing scoopitty-scoop only managed to floopitty-floop the ball into the wrong side of the pylon. Bengals bungle. Football is a game of inches, and those couple cost Kev. And, after last week’s feature in Egregious Touchback of the Week where basically exactly the same thing happened, it’s entirely possible that Kevin Huber is stuck in some kind of awful groundhog day based time loop. That would at least explain this instagram account. Ty Long (LAC, -5 to #23). Ty Long was the victim of the binary brain of Saints rookie receivereturnerobot automaton Marquez Callaway this week. In Marquez’s awesome little computer mind, he’s going: IF punt_catch_loc > 15THEN SELECTReturn_Like_CraycrayFROMReturn.Options ELSEFair_Catch_That_MF Unfortunately for Ty, six of his seven punts were outside that 15 yard threshold and the big red light on Robot Marquez's head went off like WOO WOO, and he went HAM on bringing those suckers back. 69 (nice) return yards on the day with a long of 19 wiped almost ten yards off Long's Gross Average for the day and left him at just 53% of Average Available Field covered. The Chargers have now leaked 149 return yards for the season which is second worst in the league (behind those irrepressibly awful Jets) and almost three times the league average of 56 through five weeks. Ty will be hoping that they can turn that around before… long. Sorry.
Punt of the week – Week 5
Corey Bojorquez (BUF) continues his wild oscillation between the sublime and the ridiculous. It’s an odd-week so I guess this week it’s Sublime Corey, whose 71 yard scud missile from his own ten yard line in the second quarter of this week’s edition of Tuesday Night Football Bought To You By COVID-19 was an astonishing 28.3 yards longer than my Expected Net Gain model for an average punt from that spot. Look at this baby fly! Bojorquez booms one.
Punters doin’ shit – Week 5
Hey, it’s Corey Bojorquez again! Guess he can do sublime AND ridiculous in a single week now. It’s Puntception. Corey’s first punt of the day was coming alllll the way back for 6 until he decided to put his face on the line to put an end to Kalif Raymond’s 40 yard return. BLOOF. Look at him putting on his cap all swag afterwards like yeah I blew that dude up… Yeah I think tackling with your head is good form? But that’s not all for Punters Doin’ Shit in Week 5, oh no. We have a bonus double edition! and I include this clip with great enjoyment but also great sadness. Gentlemen and Gentlemen (just being real here), this week Riley Dixon (NYG) threw a Touchdown pass! For Giants fans reading this is when someone on your team throws the ball into the big painted area at the end of the field and a player (also on your team) catches it. I know this sounds strange and unusual, but it can happen. And it did happen for Riley on this awesome fake field goal toss to Evan Engram, brilliantly narrated by the incomparable Tony Romo in the clip below. Seriously, this call is outstanding… Nobody look at me, doo doo do, you cant see me... Jim Nantz, don't talK to.. IM OPEN, THROW IT Unfortunately, the play itself was called back due to a player not lined up on the line of scrimmage and the Giants had to settle for a 50 yard field goal. For Chargers and Jags fans reading, this is when your kicker kicks the ball and it goes between the two big tall standy uppy line things. I know this sounds strange and unusual, but it can happen. No TD for Riley, but we have the memories…
Egregious touchback of the week – Week 5
I might start calling this the Kevin Huber Touchback Memorial Column, after ANOTHER narrow miss by the Bengals coverage left Kev high and dry this week against the Ravens (see Bad Week). Outside of that shambles, there were only 6 touchbacks on the other 102 punts in Week 5, and most of them were fairly ordinary so there isn’t much egregiousity (not a word but I’m going with it) to discuss. Instead today we’re going to take some time to appreciate Tommy Townsend (KC) who has apparently got some kind of nuclear powered leg and is playing a game called “look how far away I can kick a touchback from”. For those who haven’t been paying close attention, here’s how Tommy’s rookie season has gone so far in touchback terms. Week 1 – 44 yards, modest. Week 2 – 55 yards, expressive. Week 3 – only punted once so gave myself a week off from this. Week 4 – fucken LOLs this is, how about a 60 AND a 65! Week 5 –hold my beer… Oh my god Becky, look at this punt. 67 yards! SIXTY SEVEN! And that’s from the line of scrimmage - that sucker went almost EIGHTY YARDS in the AIR. It bounced at the two and I think the returner just never even saw it. He probably thought it went into orbit or something. Absolutely ludicrous distance and hangtime here from Tommy. And, thus, I think we have our new moniker for the lad: Air Townsend. Which is also funny because it sounds like hair and he has got long hair. I’m wasted doing this.
Future of Punt Rank: desperate data plea
So part of my data collection for this analysis used to come from the brilliant Pro Football Reference gameplay finder. Which, as of this week, appears to have been absorbed into Stathead. And they’re now charging $8 a month for access to these individual play description tables, which is a massive punt in the balls. Without this data, I’ve got no way to calculate Average Available Field coverage, no plus/minus performance against the Punt Expected Net Gain, and no data on punts inside the 5 and 10 yard lines – all of which come from that analysis of the individual punt plays. Whilst this data doesn’t feed the actual rankings (which come from free NFL.com data tables), they are all metrics that really help add context to the basic stats, and are things that people reading have commented on in the past and said they found interesting. So, if anyone knows of anywhere else where I can access and download these play descriptions for each individual punt (without manually sifting the ESPN play by play reports!!), then please please let me know in the comments below. Alternatively if the eight people who read this each wanna chip in a buck a month on an ongoing basis so we can pay Stathead then that’d be cool too. A sad day for punt stat fans to be sure. Fucken big corporate… And on that note, all that's left is to say I will see you again next week for a likely more analytically constrained but still enthusiastically trying my bestest edition of Punt Rank. Yours, Eyebrows.
[ Poll results!!] Drag Race Holland Episode 5: 'Snatch Game.'
So once again I am surprised at your reactions, I expected you to disagree HARD with the judges on this episode, but besides the mini-challenge and the runway most of the answers generally agree with the judges. Though that could also be attributed to it being the top 6 and there's just not enough space to disagree anymore. What are you looking for next week? Who's your personal favourite of the top 5 and what are your views on the gender-binary? I'm looking forward to the discussion below and I'm also looking forward to having some less serious bonus question again haha. See you next sunday with another poll! We're all born and the rest is drag; who do you think had the best nude photo? / We zijn allemaal naaktgeboren en de rest is drag; wie vindt jij dat de beste naaktfoto had? 1.ChelseaBoy – 263 (34,3%) 2. Envy Peru – 190 (24,8%) 3. Janey Jacké – 121 (15,8%) 4. Ma’Ma Queen – 118 (15,4%) 5. Sederginne – 41 (5,4%) 6. Miss Abby OMG – 33 (4,8%) Then we headed straight into the snatch game; which queens had the best snatch? / Toen gingen we direct door naar de snatch game; wie gaf jou de beste 'snatch?' 1.ChelseaBoy (Joe Exotic) – 549 (71,7%) 2. Envy Peru (Patty Brard)– 181 (23,6%) 3. No opinion / geen mening – 33 (4,3%) 4. Miss Abby OMG (Michella Kox) – 1 (0,1%) 5. Janey Jacké (Anny Schilder) – 0 (0,0%) 6. Ma’Ma Queen (Ryanne van Dorst) – 0 (0,0%) 7. Sederginne (Mega Mega Mindy) – (0,0%) Our Tiger King Dutch exclusive question: Nou jongens, ik heb dit in mijn eigen kringen lopen roepen voordat we wisten dat we een snatchgame zouden krijgen; maar ik vind persoonlijk dat ze 'Ranking the Stars' als format hadden moeten nemen. Het is in vorm een vergelijkbaar spel, en daarnaast heel herkenbaar voor de gewone Nederlander. Wat is jullie mening hier in? Disclaimer: I’ve left out the percentages in the results of this question as the overwhelming majority (over 600 respondents) is not Dutch (yay international audience!). 1.Ik ben het hier wel mee eens – 48 2. Als het grappiger was geweest dan deze snatch game dan zou ik het er wel mee eens zijn hoor! - 39 3. Ik sta hier neutral in - 28 4. Ik ben Anny Schilder – 28 5. Ik ben het er niet mee eens – 16 For reference this is 'Ranking the Stars,' a program in which Dutch celebs rank eachother comedically based on a humorous prompt. As I asked in this exclusively Dutch question, it's a program which in form and content is similar to Snatch Game but which I think would have worked better for Drag Race Holland. Category is: 'Split Personality,' which 3 looks made you feel moist in your split? / categorie is: 'Gespleten persoonlijkheid,' welke 3 looks maakten het vocht in je spleetje warm? · ChelseaBoy – 695 (90,7%) · Ma’Ma Queen – 672 (87,7%) · Envy Peru – 552 (72,1%) · Janey Jacké – 267 (34,9%) · Miss Abby OMG – 69 (nice (9%)) · Sederginne – 43 (5,6%) Who would you give your top toot to? wie zou jij je top toet geven? 1.ChelseaBoy – 392 (51,4%) 2. Ma’Ma Queen – 245 (32,2%) 3. Envy Peru – 91 (11,9%) 4. Janey Jacké – 27 (3,5%) 5. Miss Abby OMG – 5 (0,7%) 6. Sederginne – 2 (0,3%) Our top toot of the week is: ChelseaBoy! Based on the runway, as well as both challenges; who would you say 'condragulations, you're the winner of this week.' to? / Gebaseerd op de runway en de beide challenges; wie zou jij willen feliciteren met de winst van deze week? 1.ChelseaBoy – 613 (80,3%)
Envy Peru – 139 (18,2%)
Janey Jacké – 5 (0,7%)
Ma’Ma Queen – 5 (0,7%)
Miss Abby OMG – 0 (0,0%)
Sederginne – 0 (0,0%)
Who would you have picked for the bottom two? / wie zou jij hebben laten lipsyncen? · Miss Abby OMG – 695 (90,7%) · Sederginne – 671 (87,6%) · Janey Jacké – 81 (10,6%) · Ma’Ma Queen – 71 (9,3%) · Envy Peru – 11 (1,4%) · ChelseaBoy – 3 (0,4%) Who lost the lipsync? / wie verloor de lipsync? 1.Sederginne – 297 (39,1%) 2. Miss Abby OMG – 228 (30%) 3. Double Sashay / ze hadden beiden moeten vertrekken – 218 (28,7%) 4. Double Shantay / ze hadden beiden moeten blijven – 17 (2,2%) Who are your favorite 3 queens thus far? / welke 3 queens zijn tot nu toe je favoriet? · ChelseaBoy – 709 (92,6%) · Envy Peru – 651 (85%) · Ma’Ma Queen – 558 (72,8%) · Janey Jacké – 302 (39,4%) · Miss Abby OMG – 78 (10,2%) who's your personal favorite going into next week? / welke queen uit de top 5 is je persoonlijke favoriet? Interesting to see how our 2nd most favorite queen gets eliminated. B-B-B-Bonus question #1 The eliminated queens have announced who they would have done on their respective socials, what snatch did you miss most on the current panel? / De geëlimineerde queens hebben op hun respectievelijke socials bekend gemaakt wie zij voor hun snatchgame zouden hebben gedaan; wie van deze had jij het liefst op het panel gezien? Considering over 600 respondents weren’t Dutch it’s not very surprising that the top 3 here are the international choices. 1.Patty Pam Pam (option 2: Dame Edna) – 236 (32,6%) 2. Roem Service (Option 2: Miranda Priestly) – 233 (32,2%) 3. Madame Madness (Conchita Wurst) – 99 (13,7%) 4. Patty Pam Pam (option 1: Princess Beatrix) – 81 (11,2%) 5. Roem Service (option 1: Juf Ank) – 55 (7,6%) 6. Megan Schoonbrood (Rachel Hazes) – 20 (2,8%) Patty's Dame Edna B-B-B-Bonus question #2 the Judges response to Ma'Ma Queen's explaination for their outfit has sparked some discussion about non-binarity acceptance in the Netherlands; which response suits your opinion on the situation best: / Het jury commentaar op Ma'Ma queens uitleg van hun outfit heeft voor wat discussie gezorgd online over de acceptatie van non-binairiteit in Nederland; welk van de volgende antwoorden past het beste bij jouw mening op het onderwerp? 1.The producers should have brought in judges that are informed on the subjects that matter in the LGBTQ+ community, this is unacceptable on Drag Race. / De producenten hadden ervoor moeten zorgen dat er jury-leden zaten die op de hoogte zijn van de onderwerpen die er toe doen binnen de LHBTIQ+ gemeenschap, dit is niet acceptabel voor Drag Race. – 317 (42,2%)
I think the judges were uninformed on the subject of non-binarity, which speaks to the lack of representation of non-binarity. / Ik denk dat de juryleden van het bestaan van 'non-binair zijn' niet afwisten, en dat zegt wat over de representatie van Non-binaire personen. – 201 (26,7%)
I acknowledge that the producers are fighting to balance the issues on this show to keep it relevant for a mainstream audience, but if they don't want to hit controversy they should not have chosen this category or interpreted it as they did. / Ik begrijp goed dat de producenten alle onderwerpen wikken en wegen om het programma ook toegankelijk te maken voor het gewone publiek, maar als ze geen controverse willen scheppen hadden ze dit onderwerp niet moeten aansnijden of in ieder geval niet zo moeten interpreteren. – 142 (18,9%)
I'm neutral on this subject, but I'm glad a discussion has started. / Ik sta hier neutral in maar ik ben blij dat een discussie op gang komt. – 61 (8,1%)
I'm not informed enough on the subject matter to choose any of these answers. / Ik weet te weinig over dit onderwerp om één van deze antwoorden te kiezen. – 29 (3,9%)
B-B-B-Bonus Question #3: How do you identify? (if your option isn't in the list, choose one of the 'other' options and inform me in the comments of the reddit post on how you identify!) / Hoe identificeer jij jezelf? (als je je niet kunt vinden in de opties in de lijst kies dan een van de 'anders namelijk...' opties en geef het aan in de comments van de reddit post hoe jij je identificeert!) Disclaimer, I had to change two of the possible answers half way through because the wording of them was bio-essentialist. I referred to 'identifying with your biological sex,' implying that biology plays a part in gender identity while gender is a social construct. instead I was given the tip to change it to 'identifying with the gender you were assigned at birth.' which is a more suitable answer in the context as it leaves biology completely out of the discussion. But because of this change Google forms categorized the changed answers as a different answer so the math of this question could be off as I added up the percentages to create two answers in the end result. 1.I identify myself along the binary and I identify with the gender that was assigned to me at birth (Cis) / Ik identificeer mijzelf langs de binaire verdeling en ik identificeer mij methet geslacht wat mij bij mijn geboorte is toegewezen(Cis.) – 550 (74,8%)
I identify myself along the binary but I'm fluid in my identity (genderfluid) / Ik identificeer mezelf langs de binaire verdeling maar ik ben fluïde in mijn identiteit (gender fluïde) – 55 (7,5%)
I don't identify myself along the binary (non-binary) / Ik identificeer me niet langs de binaire verdeling ( non-binair) – 55 (7,5%)
I don't identify myself along the binary but I don't consider myself non-binary (other...) / Ik identificeer me niet langs de binaire verdeling maar ik identificeer mij ook niet als non-binair (anders namelijk...) – 47 (6,4%)
I identify myself along the binary but I don't identify as any of the other options given (other...) / Ik identificeer me wel langs de binaire verdeling maar ik identificeer me niet als een van de gegeven opties. (anders namelijk...) – 15 (2%)
I identify myself along the binary but I don't identify with the gender I was assigned at birth (Trans) / Ik identificeer mijzelf langs de binaire verdeling maar ik identificeer mij niet met het geslacht dat mij bij mijn geboorte werd toegewezen(Trans). – 7 (1%)
Modern Serialization and Star Trek: Re-imagining TNG to put Discovery and modern Trek in context
This is going to be one of those shower thought posts that exploded to be far larger than I originally hoped, so my apologies in advance. It's no secret or unspoken thing that Star Trek: Discovery differs largely in terms of presentation from previous Trek series, and that is due in large part to it being a 14-episode, serialized series, versus the majority of Trek, which has been almost entirely episodic. DS9 sort of bucks this trend with major serialized arcs, and continuity between episodes (characters actually change!), as does Voyager. Enterprise, too, takes a bigger step towards serialization, as events from past episodes frequently shape those of later episodes, and characters change both in relationship and attitude over the series (to the extent that the writing allowed). However, for Trek's 2017 return, DIS was brought to the screen in a radically different way-- instead of episodic seasons punctuated with serialized arcs and minor continuity threads sprinkled throughout, it was a tightly-woven story (insofar as it could be, given its original showrunner left midway through the development of the series) concentrated on one, continuing arc, following the trend of other prestige television shows that define the Golden Age of TV. This is attributable to a few likely things: preference by the writers, the demands of CBS, and wanting to use the show to launch All Access, which necessarily demanded a "Game of Thrones-style" flagship. The smaller episode count, too, enables more budget per episode-- in 1988, an episode of TNG cost ~$1.3 million USD, which, with inflation, equaled about $2 million USD in 2016, when Discovery was being developed; Discovery's first season ran a reported $8.5 million per episode. Even at only 14 episodes versus TNG's first 24 episode season, DIS S1 cost more than double the amount to produce. This level of cost and detail means playing it safer, but also, means reusing props, prosthetics, and CGI assets to make sure that bang-for-your-buck is ensured. Thus, a series with a relatively consistent setting. Season 1 of DIS tells a specific story, with distinct acts, a beginning, a middle, a climax, and a conclusion, and sets up plot points that are raised and resolved (along with others left dangling for future seasons). In terms of structure, it looks something like this:
"The Vulcan Hello" (beginning)
"Battle at the Binary Stars" (Act 1 concludes)
"Context Is for Kings"
"The Butcher's Knife Cares Not for the Lamb's Cry"
"Choose Your Pain"
"Magic to Make the Sanest Man Go Mad"
"Si Vis Pacem, Para Bellum"
"Into the Forest I Go" (middle) (Act 2 concludes)
"The Wolf Inside"
"What's Past is Prologue" (Act 3 concludes)
"The War Without, The War Within"
"Will You Take My Hand?" (Act 4 concludes, thematic climax)
And it follows a few core plot threads:
Burnham's coming to terms with her role in the war and losing Georgiou, proving herself as a Starfleet officer worthy of trust/redemption from her role in the war, and re-centering her relationship with her adoptive father (Sarek).
Saru learning to trust Burnham, and growing as an officer to eventually be a Captain.
Tilly growing into her role as an officer and a professional.
Stamets growing past his issues with people, and opening up to go beyond his work to see his with his friends.
Ash...uh...finding out he's a Klingon?
Lorca just kinda being a dick the whole time and just dying I guess?
Sarek learning that he can show the necessary affection to have a good relationship with his daughter, and recognizing how his dispassionate Vulcan attitude may cause issues for his family.
This is all a pretty large departure from previous Trek, where some character threads are sprinkled throughout the series, like Riker maturing as an officer, or Sisko growing into his role as the Emissary as well as a Captain. Some things are more contained, like Picard dealing with the trauma of his assimilation and being used to murder 15,000 people by fighting in the mud with his brother on their vineyard. This new structure has been received with mixed results by the Trek community (though the consensus seems to be it's working, considering we're at three seasons with two more on the books and two spinoffs on the way), and I think a large part of that is that, while serialization lets the writers tell longer, more detailed, and more complex stories, episodic shows enable writers to tell more varied, unique, and "special" shows. With DIS, we're not going to have a "Measure of a Man", unless the season is set up to support it. However, with the TNG model, we're not going to have characters change much over time, and the reset button is going to come into play at the end of every season (if not every episode...looking at you, Voyager). This leads me to the original shower thought that prompted this post: while rewatching The Neutral Zone in TNG S1, it made me wonder what TNG would've looked like had it adopted a similar model, where, presumably, the Borg would have been central to the plot, as would Q. So, I present to you below, my model for TNG S1, were it made in 2020 in an episodic, DIS-style, and leave it there for your consideration as to the future of the franchise, and what possibilities may come from coming series like Strange New Worlds, which may see a come-back of the episodic style. My presumption for this new S1 is that it would borrow elements from S2 and S3 of TNG, as it would, generally, have tighter writing (given far fewer hours of film). TNG Re-Imagined Season 1
S1E1 - The Trial: On its maiden voyage, the newly commissioned USS Enterprise sets out for Farpoint Station to pick up some of its senior staff, and investigate the mysteries of the station. Along the way, the crew is accosted by Q, an omnipotent entity that seeks to put humanity on trial, and ascertain its readiness to explore deeper into the galaxy. Captain Jean-Luc Picard, commander of the Enterprise, adapts to his new role as captain of a ship with families onboard-- including that of his old friend, lover, and Chief Medical Officer, Commander Beverly Crusher, and her son Wesley, fathered by Picard's deceased best friend and former XO, Jack. Meanwhile, Commander Will Riker, the maverick, young executive officer of the Enterprise, works to settle into his position alongside the generally thoughtful composed Captain Picard. Also introduced are: Lt. Commander Data, the Enterprise's operations officer, and an android who dreams of being human; Lt. Worf, the tactical officer, Starfleet's "first" Klingon officer who was raised by humans after being orphaned in a Romulan attack on his planet of birth; Lt. Commander Natasha Yar, the Enterprise's Chief of Security, raised on a former Federation colony world inhabited by humans that failed and fell into lawlessness and violence; Lt. Commander Geordi LaForge, a gifted warp physicist and Deputy Chief Engineer of the Enterprise; and Guinan, bartender and operator of the ship's lounge, who may or may not have superpowers. This episode follows the same general plot as Encounter at Farpoint, Part 1.
S1E2 - Encounter at Farpoint: The Enterprise uncovers the secrets of Farpoint station, and frees the space-dwelling jellyfish creatures of the station from slavery. Events occur much like Encounter at Farpoint, Part 2.
S1E3 - The Naked Now: The Enterprise is afflicted by a virus that causes crew members to lose their shit, as its predecessor was almost 100 years prior. Picard and Crusher are stuck together in sick-bay trying to figure out the situation, where, in their drunken state, they try to avoid their feelings for each other becoming apparent. Riker and Worf butt heads while under the influence of the virus, but come to a nice equilibrium. Yar and Data bone, which leaves Data wondering if he's actually more human than he thought. A cure is found, but before it is, the Enterprise's Chief Engineer, the man, the myth, the legend, Jim Shimoda, passes away while doing some dumb shit (RSVP Shimoda), and Picard asks LaForge to take over the Chief Engineer position. Picard goes to Guinan to inquire about Q, as it seems she and him have some prior relationship-- though dodgy, she warns that he is potentially dangerous, but likely would have gotten them killed by now had he truly wanted to mess with them. Notably, O'Brien gets to have fun.
S1E4 - The Battle: The Enterprise is confronted by a Ferengi marauder, whose commander is seeking revenge for the "murder" of his son by Picard as Captain of the Stargazer. Picard must overcome his guilt over the loss of the Stargazer, and defuse tensions with the Ferengi before the Enterprise suffers as similar fate. He and Crusher have a moment, and she convinces him to sit down with Wesley, finally, and have a talk with him as the only father figure in his life. Meanwhile, Geordi settles into his role as Chief Engineer, and learns to balance his new professional relationship with Commander Riker against their preexisting friendship from their days at the Academy. Worf and Data bond over their shared lack of a relationship with their parents. The episode ends with Q appearing to Guinan, and pestering her about her thoughts on humanity. She defends the species, and demands Q leave the Enterprise alone. Q fucks off doing his whole asshole thing, ominously saying we'll see about that. No racist shit in this one!
S1E5 - Empowered: Akin to Hide-and-Q, Q decides to test Guinan's defense of humanity by giving Riker the powers of a Q, and seeing what he does with them. Episode plays out fairly similarly to the original one, just with less dumb shit going down. Picard counsels Riker to be restrained, but he does the whole "giving everyone what they want" thing. Riker is settled down by Troi, who he realizes he still has feelings for (and, now able to read her mind, is able to see that she does, for him). Q removes Riker's powers, and concedes that Riker was harmless, and that of all the things he could have done, he chose to try to make his people happy, concluding that maybe Guinan is right. He appears to Guinan again, and gives an ominous message: "Maybe they are ready for what's coming."
S1E6 - Datalore: Data's twin brother Lore, another Soong android, is discovered, and is a dick. Data realizes that, though having the same architecture as Lore, he grew to be someone different. Picard, happily remarks to him that maybe he is more than just the machine he thinks himself to be. Worf and Riker get up to holodeck shenanigans, and introduce Badgey, an experimental training program that is not evil at all. Riker decides that Badgey is annoying, and puts the program on ice. This will never appear again, surely.
S1E7 - Skin of Evil: While exploring an anomalous planet on the fringes of Federation space, the Enterprise encounters a malevolent entity that takes down an Away Team shuttle, stranding Yar, Worf, Troi, and Data on the surface. Troi figures out how to defeat this entity, which is not a black puddle of evil, but not before Yar is severely wounded. Worf rescues her, and she is beamed back to the Enterprise, where Crusher is able to stabilize her, but she may be disabled her wounds, and will require a long recovery period. Data, in a fit of what seems to be rage, exploits the weakness identified by Troi, and kills Armus or whatever the bad-guy that's no longer a black puddle of evil is. Worf is promoted to Lt. Commander for his bravery, and named Acting Chief of Security and Tactical Operations while Yar is recovering. Q appears to Picard, and toys with him about the lengths to which the crew goes to save a single officer and avoid taking life, and that Data is perhaps the best of them, as he understood what needed to be done. Picard notes that Data was wrong for killing Armus when other options may have been available, but the circumstances called for aggressive actions. He counters, further, that the killing of Armus and the saving of Yar were two sides of the same coin - it's not Starfleet's mission to kill, but they're not just going into things blindly, and suicidally. Q smirks, noting that maybe the ship stands a chance. Before Picard can ask what that means, he blinks out. As the episode ends, Riker is sitting in Ten Forward, discussing with Geordi, Worf, and Data another loss of contact with a Federation outpost on the Neutral Zone, with the four wondering what this may mean.
S1E8 - The Neutral Zone: Picard is contacted by Starfleet Command, and is directed to take the Enterprise to the Romulan Neutral Zone. The episode plays out very similarly to the original, including with the presence of the 21st century cryo-folks: only, in this version, Q appears and insists that modern humanity is much the same as those of the 24th century. In dealing with the Romulans peacefully, and finding out that they, too, have lost colonies, Q is shocked to find that it's true that humanity has grown, and leaves. In the B-plot, Worf struggles with dealing with the Romulans, as his anger over their dishonor and murder of his parents overwhelms him. Yar, in recovery, begins doing exercises with Worf on the holodeck, and he learns from her how to deal with his anger and trauma by hearing of her experience with her homeworld.
S1E9 - Conspiracy: No nubbin bugs here, we're going straight to the Borg, so this failed attempt to introduce an adversary is being replaced! Great episode, though, so we're learning from it. Following the Neutral Zone incident, the Enterprise returns to Earth. On the way, the ship is intercepted by the USS Horatio, and two other Starfleet ships, who request an in-person meeting with Picard. They reveal to Picard that there is a group of Starfleet officers that do not trust the Romulans, and think they are behind the destruction of the colonies. They plan on striking Romulan colonies in retaliation, in order to force the Federation into a war, and end the century of tensions. Picard is disturbed, but cannot believe Starfleet officers would go to such an extent. As the Enterprise continues towards Earth, they receive a notice that the Horatio suffered a warp core breach, killing all aboard. Picard acknowledges the likelihood of a conspiracy, and reads in the senior staff, all of whom are in disbelief, save for Worf, who sympathizes with the conspirators, but believes they are simply misguided by fear. The crew comes up with a plan: they will have Worf stand out to be approached by the conspirators so they can be confronted. During the senior staff's testimony to Starfleet Command, Worf states his belief that regardless of what the Romulans say, they cannot be trusted, and are almost certainly responsible. Worf is then approached by the conspirators, headed by Commander Remmick, who reveals that their group is small, but positioned to take command of several ships throughout the fleet, including two other Galaxy-class ships. Worf tells them that Captain Picard will never go for this plan, and Remmick suggests Commander Riker. Worf returns to the ship, and informs Riker, and only Riker, and they meet with Remmick and the conspirators in San Francisco. Remmick reveals he knew they were investigating them, and takes the two prisoner. The episode ends on a cliffhanger.
S1E10 - Conspiracy, Part 2: Worf and Riker have been missing for a day, which puts Starfleet Security on alert. Picard suspects the conspirators. Remmick issues a directive via Starfleet Intelligence that the Romulans have begun making moves on senior Starfleet staff, including destroying the Horatio and kidnapping/interrogating Riker and Worf. Troi is able to sense Riker's presence in captivity, and pinpoints their location, where they are able to be rescued. Yar contacts friends at Starfleet Command, and is able to get access to communication logs, which Data can use to identify every conspirator in the fleet. Meanwhile, a conspirator onboard the Enterprise attempts to plant a tricobalt explosive on the warp core, and is stopped by LaForge, who identifies it as a Romulan design, but an older one, from the Tomed Incident-- not matching the energy signature of the Warbird they encountered only a few days prior. Picard and Riker beam down to Earth to apprehend Remmick, a firefight breaks out, Remmick is killed, and the conspiracy unravels. The crew presents the evidence to Starfleet Command, and tensions are defused. Starfleet assembles a task force to investigate the situation in the Neutral Zone, headed by newly-introduced Commander Shelby. Lt. Yar is offered a position with the task force, and she joins it, hoping to stay on Earth and still contribute while she recovers from her injury. The Enterprise heads back out.
S1E11 - Captain's Holiday: Literally the same episode from Season 3. Picard does Indiana Jones stuff. Lots of talk about jamaharon. Deanna and Beverly get drunk and talk about the men in charge. Data and Geordi fuck around on the holodeck, and ask Badgey to make a mystery challenging enough for Data. Badgey, being evil, makes Moriarty. Data and Geordi have a splendid time almost dying on the holodeck. Nice and light-hearted.
S1E12 - 11001001: Continuing on from Picard's shoreleave, the Enterprise is still in drydock for refit and repair. The ship is hijacked by the Binars, who it turns out, want to take advantage of the ship's empty space to rescue their colony, that is facing environmental destruction. Riker, Geordi, and Troi are the only two senior staff still onboard, and try to take the ship back with some lower decks officers, but when Troi realizes the point of the mission, they offer their help. Geordi, during the taking back of the ship, gets to do some John McClane stuff in the Jeffries tubes. The Binars say they were afraid to simply ask, because they had been rejected by others before. The Enterprise returns to spacedock, is repaired, and the colony is saved. Riker and Troi confess their affections Another light-ish episode.
S1E13 - Haven: There is no escape from Lwaxana Troi. Before the Enterprise leaves spacedock, Troi's mom boards the ship to warn her that her arranged marriage is still on. The episode is basically the same, except without the sick species. Instead, Troi's arranged husband realizes that she's truly in love with Riker, and doesn't wanna get stuck in a marriage with someone that can't love him. Lwaxana harasses Picard, and we watch him die inside. Geordi and Data shoot the shit in Ten Forward with Guinan, and Data reveals his tryst with Tasha to comedic/heartwarming effect.
S1E14 - Where No One Has Gone Before: Similar to the original plot, but without the Traveler and without going outside the galaxy. An experimental engineering team comes aboard the ship to conduct modifications that should allow the ship to maintain Warp 9 for longer periods of time. Geordi and O'Brien clash with the team, as they seem to be fairly careless with the systems. Wesley, now interning in engineering, becomes close with one of the engineers on the team (a stand-in for the Traveler), who encourages him to become more involved in the upgrade process. An engine malfunction happens and the ship warps into a stellar cluster, then loses maneuvering power. Wesley, Not-Traveler, and Geordi are able to restore power, and get the ship to sustain Warp 9.6 for up to two days, a huge improvement over previous designs which allowed only a few hours. Picard, impressed with Wesley's bravery and ingenuity in engineering, offers him to join the bridge crew as a cadet, and to apply to the Academy. Picard and Wesley actually hug, which, you know. Aww. The episode ends with Guinan cleaning up in Ten Forward after-hours, and sensing something unusual.
S1E15 - The Borg: The episode begins with the Enterprise doing its usual exploration thing, charting nebulae and such, when Q appears on the bridge. Simultaneously, Guinan gets out of the turbolift, and threatens him if he doesn't leave. Picard intervenes, but Q makes a statement: he and the crew have proven themselves ready for the trial to enter its next stage, and to see if they're really ready for what's out there. He snaps his fingers, and the Enterprise is flung 7,000ly deep into the Beta Quadrant, far outside of charted space. The events of "Q Who?" follow, basically, but the episode ends a bit differently. The Enterprise is able to hang in there longer because of the engine modifications in the last episode. Q sends the Enterprise back to the Alpha Quadrant and snaps Picard down to Ten Forward, and everyone but Guinan out, revealing that Guinan is immune to Q's powers. Q tells Picard that the Enterprise and her crew, along with the conduct of other Starfleet officers and Federation citizens that he has observed interacting with Picard and co. since the start of the "trial" at Farpoint, have demonstrated that they're on the path to readiness, but that they need to be prepared for what is coming. Guinan curses him, saying he knows what he has done, and that he's endangered the lives of trillions by introducing the Federation to the Borg. Q simply says: "What makes you think they weren't coming either way?", then leaves. Guinan explains her history with Q (the El-Aurians underwent a similar "trial"), how she came to be in the Alpha Quadrant, and offers her line: "Now that they know you're here..." - "...they will be coming", Picard finishes. The season ends with the prospect looming over their heads, and the Enterprise, battered from its near-death experience, returning to its mission.
And that's TNG S1! S2's theme would be more regular exploration with hints of Borg, and probably another plot or plot(s), and S3 would, of course, culminate in BoBW. Now, I could be way off the mark, but given how Trek is written now, and what it was back then, that's how I'd see something playing out in 2020. Note, though, that even in this format, one finds places to put in some semi-episodic episodes, not unlike Discovery S3 thus far. Hopefully, that means we get the chance for some truly unique, almost-standalone moments in the coming years.
What is up Depthians! We are back with another monstrous update as this one incorporates five beta test builds, so we have a lot to cover. If you want to dive straight into the massive changelog/dissertation Click We should probably start with the biggest change to From The Depths in this update and that is the change of fuel and ammo storage. Quoting Nick, our lead developer
The change is quite simple: "remove ammo and fuel as separate resources. Weapons will consume materials directly, fuel engines and CJEs will burn materials directly". Before I dig into why I think this is the right thing for FtD, I'd like to explain a few details. Energy, fuel and ammo are still needed for your constructs. We have changed the "ammo barrels (etc)" and "fuel tanks" so they are just alternative material storage containers, but with the following properties: --"ammo barrels" now increase the maximum possible rate of usage of materials as "ammo" for reloading guns. They still explode. --"fuel tanks" increase the maximum possible rate of use of materials as "fuel" for fuel engines and CJEs, with the future stretch goal of fuel tanks being flammable. --So ammo racking is going to remain a feature of the game- vehicles that need to reload a large amount of materials may need additional ammo barrels Ammo and oil processors are replaced ship-wide with existing material storage containers of the same size. They'll be made decorative blocks so you can still use them decoratively in future if you want to. The oil refinery will be repurposed (described later in the patch notes) There are two main reasons why I think this is the right move. Why it's right for the business and why it's right for the player. Let's start with why I think it's right for the player: Ammo and fuel containers are currently purchasable as either "empty or full". This is confusing when considered in the context of the campaign, story missions, custom battles, multiplayer matches...how do empty and full tanks behave in these modes? I'd need an hour to study the code and a small essay to explain it. That's not good game design. Localised resources, when considering just the moving of material (and energy, if you want), becomes infinitely more manageable. The supply group system and the transit fleet system are not intuitive and for a lot of situations, their usage becomes fiddly and too complicated. We've replaced these systems with a new supply system that is much more intuitive for moving materials and energy around. The UI is less cluttered now that ammo and fuel bars are not shown. This is not a minor point...it'll reduce the amount of data on screen by about 40% in a lot of the different views. It'll be so much easier to know at a glance if a particular fleet is running low on "materials" or doing fine. Is a transport ready to leave, or does it need to pick up more materials? Will a set of vehicles have enough materials for the next fight...this is so much easier with just one main resource type per vehicle. When you or an enemy run out of ammo or fuel in a battle it's just frustrating. By combining fuel, ammo and materials for repairing you can guarantee that if someone runs out, the fight is going to be over quickly. I imagine that deep down the majority of players would rather not have to create, stock and resupply fuel and ammo. I know that personally, the requirement to do this puts me off playing the campaign. By using a single material it still focuses the game on making efficient war machines, maintaining supply lines and growing your economy, but without the extra confusion of mat->ammo and mat-> fuel conversion. Being able to assess weapons, engines and vehicles in terms of material cost and running cost is elegant. Most grand strategy games and RTS games don't have localised resources, and many don't have more than 2 resource types to handle. Very few combine localised materials with multiple types. Why it's right for the business: The ammo and oil processors were created about 8 years ago. Boring single blocks that don't add much to the game. It's been our intention to add something similar to the oil refinery but for ammo creation. That's a lot of work and adds to the complexity of the logistical part of the game, which we feel is already a burden. Making the localised resource supply system more user friendly to make it easy/natural/pleasant to move ammo, fuel and material around the map would require a lot of effort and, quite frankly, I'm not sure we'd ever manage it. The complexity of the UI scares off a lot of our customers. The barriers to getting a gun firing or a boat moving will be lowered if a single material container can theoretically get everything working. Running out of ammo/fuel in combat is a problem for our players. We want to find a solution to that, but it would take a lot of effort to do so. We also want the strategic AI to always enter a battle with enough ammo and fuel for the fight- that's another massive bunch of work. The campaign's strategic AI has to work hard to get materials where it wants them. It's a bundle of work and added complexity to get NPC fleets to restock ammo and fuel as well. We had proposed work to make resource dumps (from dead ships) contain ammo and fuel...again, that's more work, more bugs, more testing. Certain game modes such as story missions, tournament mode, and multiplayer maps should theoretically allow the player to choose the amount of ammo or fuel stocked into their vehicles before the match begins. That's another bundle of work and added complexity we'd like to avoid. Currently out of play units on the map can run out of fuel and will still continue to move "for free". It's exploitable and we don't have a solution to that...but if all the different out of play movement calculations are burning material, there will be no avoiding the cost. The development effort can be much better spent polishing up other features that I actually believe in, rather than flogging the dead horse of logistical complexity in an attempt to make it interesting, approachable and fun for everyone (which I fundamentally don't think it would ever be). Fundamentally I think that by winding back this feature we tie up a large number of loose ends and it results in a far more finished and enjoyable product. And what's-more everyone on the development team agrees that we enjoy the game for fighting, looting and creating...not staring blankly at dozens of resource bars trying to figure out who needs to head back for more fuel and how long we need to wait for ammunition to process. We've also simplified the resource transfer system. "Supply groups" and "Transit Fleets" have been replaced with a simple but comprehensive three-tier system. You can mark a vehicle as a "Creator", a "Cargo" or a "User". Creators fill up Cargos (and Users), Cargos give to Users (up to procurement levels). Users equalise their material with their neighbours, so do Creators, and there are a few handy transfers from Users back to Cargo and Creator to make sure they maintain their procurement levels as well. This system covers 95% of the way people were using the resource system and does it all semi-automatically. This simplification is much more possible now that materials are the only resource, as they invariably just need to flow from the resource zones to the front line, with everyone (Creators and Cargo) keeping what they need and passing the rest on. This new resource system also facilitates the long-range transport of materials from refinery to refinery, which is neat. The system also has an option, for Creator and Cargo types, to set their "supply chain index", so if you want to relay materials from output to output in order to accumulate them at a central location you can set the supply chain index to determine which way along the chain the materials will flow. It's all explained in the game.
After spending a lot of time with this new system from adventure to campaign and designer mode, the gameplay feels a little faster to get going and a little simpler for fleet management. As if you didn’t already know, you can shift+right click (with your supply construct selected) on the target construct / flagship of a fleet to keep supplied, keep holding down shift and right-click where you want to pick the resources up from and once again while not letting go of shift, shift+right click on the target construct/flag ship to finish the loop. This would be done of course after setting up the settings Creator, Cargo and User. Creator as an example is the harvesting construct, Cargo which would be the supply ship, User which would be a single target construct that uses the mats. This will keep the supply ship target waypoint updated and therefore your supply ship will always head to the target construct no matter where it has moved to after setting up the loop. You still need ammo and fuel boxes on your constructs, as these are governing the transfer rate / the speed that stock your turrets and fuel engine with the materials needed for them to run. You can run a construct without fuel or ammo boxes, however, once your APS clips are empty you will see a drop in your rate of fire as the material is not being transferred fast enough, this is the same for fuel engines and CJE. Another change that goes hand in hand with resource management is the changes to fuel refineries. In short:
Refineries on a force with greater than 1 million materials on it will begin refining the material into 'commodities' that are stored centrally. Commodities (AKA centralised materials) can be added by the player to any vehicle in allied territory, at any time.
Steam was previously totally unbalanced and arbitrary. For example, 9 small boilers with 1 small piston was the optimal steam setup, which was more efficient and denser than almost all other engines; and turbine power generation only depended on its pressure, so compact turbines were always optimal.
It lacked many critical info in its UI.
It was hard to control the usage of steam
What's good with new steam:
A bit more of realism and complexity
Larger steam now generally have better efficiency and density than equivalent smaller steam
More useful info such as total power production, performance over time
Possibility to regulate steam usage with valves
Pros of steam compared to injector fuel:
Denser and more efficient
Even denser with turbines
Easier to fit into irregular space
Provides a buffer with flywheels or steam tanks
More efficient when used for propellers
Doesn't require fuel containers, uses material directly from any type of storage
Computationally less intensive
Cons of steam compared to fuel:
Still hard to regulate, so it's only useful when the power usage is constant or there's a buffer energy storage
Turbines waste energy when batteries are full
Crankshafts waste energy when reaching speed limit
More susceptible to damage (injector engines can often still run fine even when half of it is gone, steam can stop working when a single pipe is destroyed)
Why cost of parts is hilariously high: Steam engines have better efficiency and density (many players seem to forget that one) than injector engines. So a higher initial costs makes it less overpowered. (In my opinion, the potential waste of energy is a major drawback of steam and justifies for its high potential power. But iirc Draba said that injector engines would be useless on designs that require a lot of power if steam doesn't have higher initial cost, which also makes sense.) Problem with new steam that can't be fixed:
Many old designs are broken due to low power output
Problems that can probably be fixed but I don't have a solution:
Inefficient steam engines are ridiculously bad (a bad steam engine is like 30 PPM and 50 PPV, while a good one is around 600 PPM and 110 PPV) (I tried to fix this and spent like 40 hours on that, but I only managed to make it easier to build a mediocre engine)
Cannot be simulated to calculate a stable power output, like fuel engines do (actually it's easy but would take a lot of time to do and I don't think it's necessary)
Another massive change is the detection rework which I also left a few questions for Ian AKA Blothorn to explain the system and how it works. Why a change was warranted:
Different types of detection weren't well balanced--for instance, visual components had better accuracy than IR and vastly better range.
Detection autoadjust used an incorrect formula, so optimizing adjustment was both mechanical and tedious.
Trackers having much better detection ranges than search sensors meant that detection was very binary--if you could see something at all you could usually get a precise lock (barring ECM, which was only counterable by large numbers of components).
Needing both sensors and munitions warners made reactive missile defence difficult on small vehicles.
There were a number of other inconsistencies/imbalances, e.g. some visual/IR sensors working through water, steam engines producing no heat, etc.
Overview of the new system: On the offensive side, each sensor type now has a role in which it is optimal, and large vehicles are best using a variety to cover their weaknesses. Visual probably remains the default for above-water detection--it remains impossible to reduce visual signature other than reducing size. IR is better against fast vehicles, as they have trouble avoiding high IR signatures from thrust and drag. Both visual and IR are weak in rangefinding (although coincidence rangefinders are adequate for most purposes); radar is correspondingly strong in range and weak in bearing, although it often offers better detection chances against vehicles that don't pay attention to radar stealth. On the defensive side, there are two approaches. Most obvious is signature reduction--while it is deliberately difficult to avoid detection entirely, reducing signature reduces detection chances and thus degrades opposing accuracy. At short ranges, however, this doesn't work well--detection chances are likely high regardless, and low errors at short range mean even sparse detections can give a good fix. Smoke and chaff can be useful here: they increase detection chance while adding a distance-independent error to opponent's visual and radar sensors, respectively. ECM, buoys, and radar guidance have also been reworked. Buoys are more powerful, becoming more accurate as they get closer to the target. While their base error is high, at long ranges a buoy at close range can beat the accuracy of any onboard sensor. If you worry about opponents’ buoys, ECM can now intermittently jam them--except if they are connected to their parent vehicle by a harpoon cable, in which case they don't need the vulnerable wireless connection. Most blueprints should need no modifications under the new system, although a few may want a few more or less GPP cards. The one exception is water interactions--IR cameras, laser rangefinders, and retroreflection sensors can no longer work through water, so submarines that used them underwater or vehicles that used them to detect submarines will need to replace them (likely with buoys). Vehicles that predominantly used visual detection should also consider adding a greater variety of sensors--in particular, visual camera trackers tied to AA mainframes should likely be replaced with IR cameras. Also, radars and cameras can take over missile and projectile detection (radar is required for projectile detection), so munitions warners can be removed/replaced with additional sensors. Last but not least a sweet little addition to our build menu prefabs. https://preview.redd.it/iqw1ymabu9t51.png?width=1920&format=png&auto=webp&s=aa1e3cdba6e1d62e07aef83caf0acad2a39249ed Please do make sure you go through the changelog as a hell of a lot has changed!
The Challenges of Designing a Modern Skill, Part 3
Okay, Wendy’s or Walgreens or whoever, I don’t care who you are, you’re listening to the rest.
Introduction to Part 3
Welcome back one last time to “The Challenges of Designing a Modern Skill,” a series where we discuss all aspects of skill design and development. In Part 1, we talked about OSRS’s history with skills, and started the lengthy conversation on Skill Design Philosophy, including the concepts of Core, Expansion, and Integration. This latter topic consumed the entirety of Part 2 as well, which covered Rewards and Motivations, Progression, Buyables, as well as Unconstructive Arguments. Which brings us to today, the final part of our discussion. In this Part 3, we’ll finish up Section 3 – Skill Design Philosophy, then move on to chat about the design and blog process. One last time, this discussion was intended to be a single post, but its length outgrew the post character limit twice. Therefore, it may be important to look at the previous two parts for clarity and context with certain terms. The final product, in its purest, aesthetic, and unbroken form, can be found here.
3-C – Skill Design Philosophy, Continued
3-12 - Balancing
What follows from the discussion about XP and costs, of course, is balancing: the bane of every developer. A company like Riot knows better than anyone that having too many factors to account for makes good balance impossible. Balancing new ideas appropriately is extremely challenging and requires a great respect for current content as discussed in Section 3-5 – Integration. Thankfully, in OSRS we only have three major balancing factors: Profit, XP Rate, and Intensity, and two minor factors: Risk and Leniency. These metrics must amount to some sense of balance (besides Leniency, which as we’ll see is the definition of anti-balance) in order for a piece of content to feel like it’s not breaking the system or rendering all your previous efforts meaningless. It’s also worthy to note that there is usually a skill-specific limit to the numerical values of these metrics. For example, Runecrafting will never receive a training method that grants 200k xp/hr, while for Construction that’s easily on the lower end of the scale. A basic model works better than words to describe these factors, and therefore, being the phenomenal artist that I am, I have constructed one, which I’ve dubbed “The Guthix Scale.” But I’ll be cruel and use words anyway.
Profit: how much you gain from a task, or how much you lose. Gain or loss can include resources, cosmetics, specialized currencies, good old gold pieces, or anything on that line.
XP Rate: how fast you gain XP.
Intensity: how much effort (click intensity), attention (reaction intensity), and thought (planning intensity) you need to put into the activity to perform it well.
Risk: how likely is the loss of your revenue and/or resource investment into the activity. Note that one must be careful with risk, as players are very good at abusing systems intended to encourage higher risk levels to minimize how much they’re actually risking.
Leniency: a measure for how imbalanced a piece of content can be before the public and/or Jagex nerfs it. Leniency serves as a simple modulator to help comprehend when the model breaks or bends in unnatural ways, and is usually determined by how enjoyable and abusable an activity is, such that players don’t want to cause an outrage over it. For example, Slayer has a high level of Leniency; people don’t mind that some Slayer tasks grant amazing XP Rates, great Profits, have middling Intensity, and low Risk. On the other hand, Runecrafting has low levels of Leniency; despite low Risk, many Runecrafting activities demand high Intensity for poor XP Rates and middling Profits.
In the end, don’t worry about applying specific numbers during the conceptual phase of your skill design. However, when describing an activity to your reader, it’s always useful if you give approximations, such as “high intensity” or “low risk,” so that they get an idea of the activity’s design goals as well as to guide the actual development of that activity. Don’t comment on the activity’s Leniency though, as that would be pretty pretentious and isn’t for you to determine anyway.
3-13 - Skill Bloat
What do the arts of weaving, tanning, sowing, spinning, pottery, glassmaking, jewellery, engraving, carving, chiselling, carpentry, and even painting have in common? In real life, there’s only so much crossover between these arts, but in Runescape they’re all simply Crafting. The distinction between what deserves to be its own skill or instead tagged along to a current skill is often arbitrary; this is the great challenge of skill bloat. The fundamental question for many skill concepts is: does this skill have enough depth to stand on its own? The developers of 2006 felt that there was sufficient depth in Construction to make it something separate from Crafting, even if the latter could have covered the former. While there’s often no clean cut between these skills (why does making birdhouses use Crafting instead of Construction?), it is easy to see that Construction has found its own solid niche that would’ve been much too big to act as yet another Expansion of Crafting. On the other hand, a skill with extremely limited scope and value perhaps should be thrown under the umbrella of a larger skill. Take Firemaking: it’s often asked why it deserves to be its own skill given how limited its uses are. This is one of those ideas that probably should have just been thrown under Crafting or even Woodcutting. But again, the developers who made early Runescape did not battle with the same ideas as the modern player; they simply felt like Firemaking was a good idea for a skill. Similarly, the number of topics that the Magic skill covers is so often broken down in other games, like Morrowind’s separation between Illusion, Conjuration, Alteration, Destruction, Mysticism, Restoration, Enchant, Alchemy (closer to Herblore), and Unarmored (closer to Strength and Defense). Why does Runescape not break Magic into more skills? The answer is simple: Magic was created with a much more limited scope in Runescape, and there has not been enough content in any specific magical category to justify another skill being born. But perhaps your skill concept seeks to address this; maybe your Enchantment skill takes the enchanting aspects of Magic away, expands the idea to include current imbues and newer content, and fully fleshes the idea out such that the Magic skill alone cannot contain it. Somewhat ironically, Magic used to be separated into Good and Evil Magic skills in Runescape Classic, but that is another topic. So instead of arguments about what could be thrown under another skill’s umbrella, perhaps we should be asking: is there enough substance to this skill concept for it to stand on its own, outside of its current skill categorization? Of course, this leads to a whole other debate about how much content is enough for a skill idea to deserve individuality, but that would get too deep into specifics and is outside the scope of this discussion.
3-14 - Skill Endgame
Runescape has always been a sandbox MMO, but the original Runescape experience was built more or less with a specific endgame in mind: killing players and monsters. Take the Runescape Classic of 2001: you had all your regular combat skills, but even every other skill had an endgame whose goal was helping combat out. Fishing, Firemaking, and Cooking would provide necessary healing. Smithing and Crafting, along with their associated Gathering skill partners, served to gear you up. Combat was the simple endgame and most mechanics existed to serve that end. However, since those first days, the changing endgame goals of players have promoted a vast expansion of the endgame goals of new content. For example, hitting a 99 in any non-combat skill is an endgame goal in itself for many players, completely separate from that skill’s combat relationship (if any). These goals have increased to aspects like cosmetic collections, pets, maxed stats, all quests completed, all diaries completed, all music tracks unlocked, a wealthy bank, the collection log, boss killcounts, and more. Whereas skills used to have a distinct part of a system that ultimately served combat, we now have a vast variety of endgame goals that a skill can be directed towards. You can even see a growth in this perspective as new skills were released up to 2007: Thieving mainly nets you valuable (or once valuable) items which have extremely flexible uses, and Construction has a strong emphasis on cosmetics for your POH. So when designing your new skill, contemplate what the endgame of your skill looks like. For example, if you are proposing a Gathering skill, what is the Production skill tie-in, and what is the endgame goal of that Production skill? Maybe your new skill Spelunking has an endgame in gathering rare collectibles that can be shown off in your POH. Maybe your new skill Necromancy functions like a Support skill, giving you followers that help speed along resource gathering, and letting you move faster to the endgame goal of the respective Production skill. Whatever it is, a proper, clear, and unified view of an endgame goal helps a skill feel like it serves a distinct and valuable purpose. Note that this could mean that you require multiple skills to be released simultaneously for each to feed into each other and form an appropriate endgame. In that case, go for it – don’t make it a repeat of RS3’s Divination, a Gathering skill left hanging without the appropriate Production skill partner of Invention for over 2 years. A good example of a skill with a direct endgame is… most of them. Combat is a well-accepted endgame, and traditionally, most skills are intended to lend a hand in combat whether by supplies or gear. A skill with a poor endgame would be Hunter: Hunter is so scattered in its ultimate endgame goals, trying to touch on small aspects of everything like combat gear, weight reduction, production, niche skilling tools, and food. There’s a very poor sense of identity to Hunter’s endgame, and it doesn’t help that very few of these rewards are actually viable or interesting in the current day. Similarly, while Slayer has a strong endgame goal it is terrible in its methodology, overshadowing other Production skills in their explicit purpose. A better design for Slayer’s endgame would have been to treat it as a secondary Gathering skill, to work almost like a catalyst for other Gathering-Production skill relationships. In this mindset, Slayer is where you gather valuable monster drops, combine it with traditional Gathering resources like ores from Mining, then use a Production skill like Smithing to meld them into the powerful gear that is present today. This would have kept other Gathering and Production skills at the forefront of their specialities, in contrast to today’s situation where Slayer will give fully assembled gear that’s better than anything you could receive from the appropriate skills (barring a few items that need a Production skill to piece together).
3-15 - Alternate Goals
From a game design perspective, skills are so far reaching that it can be tempting to use them to shift major game mechanics to a more favourable position. Construction is an example of this idea in action: Construction was very intentionally designed to be a massive gold sink to help a hyperinflating economy. Everything about it takes gold out of the game, whether through using a sawmill, buying expensive supplies from stores, adding rooms, or a shameless piece of furniture costing 100m that is skinned as, well, 100m on a shameless piece of furniture. If you’re clever about it, skills are a legitimately good opportunity for such change. Sure, the gold sink is definitely a controversial feature of Construction, but for the most part it’s organic and makes sense; fancy houses and fancy cosmetics are justifiably expensive. It is notable that the controversy over Construction’s gold sink mechanism is probably levied more against the cost of training, rather than the cost of all its wonderful aesthetics. Perhaps that should have been better accounted for in its design phase, but now it is quite set in stone. To emphasize that previous point: making large scale changes to the game through a new skill can work, but it must feel organic and secondary to the skill’s main purpose. Some people really disliked Warding because they felt it tried too hard to fix real, underlying game issues with mechanics that didn’t thematically fit or were overshadowing the skill’s Core. While this may or may not be true, if your new skill can improve the game’s integrity without sacrificing its own identity, you could avoid this argument entirely. If your skill Regency has a Core of managing global politics, but also happens to serve as a resource sink to help your failing citizens, then you’ve created a strong Core design while simultaneously improving the profitability of Gathering skills.
3-16 - The Combat No-Touch Rule
So, let’s take a moment to examine the great benefits and rationale of RS2’s Evolution of Combat: This space has been reserved for unintelligible squabbling. With that over, it’s obvious that the OSRS playerbase is not a big fan of making major changes to the combat system. If there’s anything that defines the OSRS experience, it has to be the janky and abusable combat system that we love. So, in the past 7 years of OSRS, how many times have you heard someone pitch a new combat skill? Practically no one ever has; a new combat skill, no matter how miniscule, would feel obtrusive to most players, and likely would not even receive 25% of votes in a poll. This goes right back to Section 3-5 – Integration, and the importance of preserving the fundamentals of OSRS’s design. I know that my intention with this discussion was to be as definitive about skill design as possible, and in that spirit I should be delving into the design philosophy specifically behind combat skills, but I simply don’t see the benefit of me trying, and the conversation really doesn’t interest me that much. It goes without saying that as expansive as this discussion is, it does not cover every facet of skill design, which is a limitation both of my capabilities and desire to do so.
3-17 - Aesthetics
I don’t do aesthetics well. I like them, I want them, but I do not understand them; there are others much better equipped to discuss this topic than I. Nonetheless, here we go. Since the dawn of OSRS, debates over art style and aesthetics have raged across Gielinor. After all, the OSRS Team is filled with modern day artists while OSRS is an ancient game. What were they supposed to do? Keep making dated graphics? Make content with a modernized and easily digestible style? Something in-between? While many players shouted for more dated graphics, they were approached by an interesting predicament: which dated graphics did they want? We had a great selection present right from the start of OSRS: 2002, 2003, 2004, 2005, 2006, and 2007. People hungry for nostalgia chose the era that they grew up in, leading to frequent requests for older models like the dragon or imp, most of which were denied by Jagex (except the old Mining rock models). But which era was OSRS supposed to follow? Jagex elected to carve their own path, but not without heavy criticism especially closer to OSRS’s conception. However, they adapted to player requests and have since gone back and fixed many of the blatant early offenders (like the Kingdom of Kourend) and adopted a more consistent flavour, one that generally respects the art style of 2007. Even though it doesn’t always hit the mark, one has to appreciate the OSRS artists for making their best attempt and listening to feedback, and here’s to hoping that their art style examination mentioned in June 2020’s Gazette bears fruit. But what exactly is the old school art style? There are simple systems by which most players judge it in OSRS, usually by asking questions like, “Would you believe if this existed in 2007?” More informed artists will start pointing out distinct features that permeated most content from back in the day, such as low quality textures, low poly models, low FPS animations, a “low fantasy” or grounded profile that appeals somewhat to realism, reducing cartoonish exaggerations, and keeping within the lore. Compiled with this, music and sound design help that art style come to life; it can be very hard on immersion when these don’t fit. An AGS would sound jarring if its special attack sounded like a weak dagger stab, and having to endure Country Jig while roaming Hosidius suddenly sweeps you off into a different universe. But coming back to skill design, the art, models, and sound design tend to be some of the last features, mostly because the design phase doesn’t demand such a complete picture of a skill. However, simple concept art and models can vastly improve how a skill concept is communicated and comfort players who are concerned about maintaining that “old school feel.” This will be touched on again later in this discussion under Section 5-2 – Presentation and Beta Testing.
3-18 - Afterword
Now we’ve set down the modern standards for a new skill, but the statements that started this section bear repeating: the formula we’ve established does not automatically make a good or interesting skill, as hard as we might have tried. Once again, harken back to the First Great Irony: that we are trying to inject the modern interpretation of what defines a skill upon a game that was not necessarily built to contain it. Therefore, one could just as easily deny each of the components described above, as popular or unpopular as the act might be, and their opinion could be equally valid and all this effort meaningless. Don’t take these guidelines with such stringency as to disregard all other views.
5-0 - The OSRS Team and the Design Process
If you’ve followed me all the way here, you’re likely A) exhausted and fed up of any conversation concerning new skills, or B) excited, because you’ve just struck an incredible skill idea (or perhaps one that’s always hung around your head) that happens to tick off all the above checkboxes. But unfortunately for you B types, it’s about to get pretty grim, because we’re going to go through every aspect of skill design that’s exterior to the game itself. We’ll be touching on larger topics like democracy, presentation, player mindsets, effort, and resource consumption. It’ll induce a fantastic bout of depression, so don’t get left behind.
5-1 - Designing a Skill
Thus far, Jagex has offered three potential skills to OSRS, each of which has been denied. This gives us the advantage of understanding how the skill design process works behind the scenes and lets us examine some of the issues Jagex has faced with presenting a skill to the players. The first problem is the “one strike and you’re out” phenomenon. Simply put, players don’t like applying much effort into reading and learning. They’ll look at a developer blog highlighting a new skill idea, and if you’re lucky they’ll even read the whole thing, but how about the second developer blog? The third? Fourth? Even I find it hard to get that far. In general, people don’t like long detail-heavy essays or blogs, which is why I can invoke the ancient proverb “Ban Emily” into this post and it’ll go (almost) completely unnoticed. No matter how many improvements you make between developer blogs, you will quickly lose players with each new iteration. Similarly, developer blogs don’t have the time to talk about skill design philosophy or meta-analyse their ideas – players would get lost far too fast. This is the Second Great Irony of skill design: the more iterations you have of a lengthy idea, the less players will keep up with you. This was particularly prominent with Warding: Battle Wards were offered in an early developer blog but were quickly cut when Jagex realized how bad the idea was. Yet people would still cite Battle Wards as the reason they voted against Warding, despite the idea having been dropped several blogs before. Similarly, people would often comment that they hated that Warding was being polled multiple times; it felt to them like Jagex was trying to brute-force it into the game. But Warding was only ever polled once, and only after the fourth developer blog - the confusion was drawn from how many times the skill was reiterated and from the length of the public design process. Sure, there are people for whom this runs the opposite way; they keep a close eye on updates and judge a piece of content on the merits of the latest iteration, but this is much less common. You could argue that one should simply disregard the ignorant people as blind comments don't contribute to the overall discussion, but you should remember that these players are also the ones voting for the respective piece of content. You could also suggest re-educating them, which is exactly what Jagex attempts with each developer blog, and still people won’t get the memo. And when it comes to the players themselves, can the playerbase really be relied on to re-educate itself? Overall, the Second Great irony really hurts the development process and is practically an unavoidable issue. What’s the alternative? To remove the developer-player interface that leads to valuable reiterations, or does you simply have to get the skill perfect in the first developer blog? It’s not an optimal idea, but it could help: have a small team of “delegates” – larger names that players can trust, or player influencers – come in to review a new, unannounced skill idea under NDA. If they like it, chances are that other players will too. If they don’t, reiterate or toss out the skill before it’s public. That way, you’ve had a board of experienced players who are willing to share their opinions to the public helping to determine the meat and potatoes of the skill before it is introduced to the casual eye. Now, a more polished and well-accepted product can be presented on the first run of selling a skill to the public, resulting in less reiterations being required, and demanding less effort from the average player to be fully informed over the skill’s final design.
5-2 - Presentation and Beta Testing
So you’ve got a great idea, but how are you going to sell it to the public? Looking at how the OSRS Team has handled it throughout the years, there’s a very obvious learning curve occurring. Artisan had almost nothing but text blogs being thrown to the players, Sailing started introducing some concept art and even a trailer with terrible audio recording, and Warding had concept art, in game models, gifs, and a much fancier trailer with in-game animations. A picture or video is worth a thousand words, and often the only words that players will take out of a developer blog. You might say that presentation is everything, and that would be more true in OSRS than most games. Most activities in OSRS are extremely basic, involve minimal thought, and are incredibly grindy. Take Fishing: you click every 20 seconds on a fishing spot that is randomly placed along a section of water, get rid of your fish, then keep clicking those fishing spots. Boiling it down further, you click several arbitrary parts of your computer screen every 20 seconds. It’s hardly considered engaging, so why do some people enjoy it? Simply put: presentation. You’re given a peaceful riverside environment to chill in, you’re collecting a bunch of pixels shaped like fish, and a number tracking your xp keeps ticking up and telling you that it matters. Now imagine coming to the players with a radical new skill idea: Mining. You describe that Mining is where you gather ores that will feed into Smithing and help create gear for players to use. The audience ponders momentarily, but they’re not quite sure it feels right and ask for a demonstration. You show them some gameplay, but your development resources were thin and instead of rocks, you put trees as placeholders. Instead of ores in your inventory, you put logs as placeholders. Instead of a pickaxe, your character is swinging a woodcutting axe as a placeholder. Sure, the mechanics might act like mining instead of woodcutting, but how well is the skill going to sell if you haven’t presented it correctly or respected it contextually? Again, presentation is everything. Players need to be able to see the task they are to perform, see the tools they’ll use, and see the expected outcomes; otherwise, whatever you’re trying to sell will feel bland and unoriginal. And this leads to the next level of skill presentation that has yet to be employed: Beta Worlds. Part of getting the feel of an activity is not just watching, it but acting it out as well - you’ll never understand the thrill of skydiving unless you’ve actually been skydiving. Beta Worlds are that chance for players to act out a concept without risking the real game’s health. A successful Beta can inspire confidence in players that the skill has a solid Core and interesting Expansions, while a failed Beta will make them glad that they got to try it and be fully informed before putting the skill to a poll (although that might be a little too optimistic for rage culture). Unfortunately, Betas are not without major disadvantages, the most prominent of which we shall investigate next.
5-3 - Development Effort
If you thought that the previous section on Skill Design Philosophy was lengthy and exhausting, imagine having to know all that information and then put it into practice.Mentally designing a skill in your head can be fun, but putting all that down on paper and making it actually work together, feel fully fleshed out, and following all the modern standards that players expect is extremely heavy work, especially when it’s not guaranteed to pay off in the polls like Quest or Slayer content. That’s not even taking into account the potentially immense cost of developing a new skill should it pass a poll. Whenever people complain that Jagex is wasting their resources trying to make that specific skill work, Jagex has been very explicit about the costs to pull together a design blog being pretty minimal. Looking at the previous blogs, Jagex is probably telling the truth. It’s all just a bunch of words, a couple art sketches, and maybe a basic in-game model or gif. Not to downplay the time it takes to write well, design good models, or generate concept art, but it’s nothing like the scale of resources that some players make it out to be. Of course, if a Beta was attempted as suggested last section, this conversation would take a completely new turn, and the level of risk to invested resources would exponentially increase. But this conversation calls to mind an important question: how much effort and resources do skills require to feel complete? Once upon a time, you could release a skill which was more or less unfinished. Take Slayer: it was released in 2005 with a pretty barebones structure. The fundamentals were all there, but the endgame was essentially a couple cool best-in-slot weapons and that was it. Since then, OSRS has updated the skill to include a huge Reward Shop system, feature 50% more monsters to slay, and to become an extremely competitive money-maker. Skills naturally undergo development over time, but it so often comes up during the designing of an OSRS skill that it "doesn't have enough to justify its existence." This was touched on deeply in Section 3-13 – Skill Bloat, but deserves reiterating here. While people recognize that skills continually evolve, the modern standard expects a new skill, upon release, to be fully preassembled before purchase. Whereas once you could get away with releasing just a skill's Core and working on Expansions down the line, that is no longer the case. But perhaps a skill might stand a better chance now than it did last year, given that the OSRS Team has doubled in number since that time. However, judging from the skill design phases that have previously been attempted (as we’ve yet to see a skill development phase), the heaviest cost has been paid in developer mentality and motivational loss. When a developer is passionate about an idea, they spend their every waking hour pouring their mind into how that idea is going to function,especially while they’re not at work. And then they’re obligated to take player feedback and adapt their ideas, sometimes starting from scratch, particularly over something as controversial as a skill. Even if they have tough enough skin to take the heavy criticism that comes with skill design, having to write and rewrite repeatedly over the same idea to make it “perfect” is mentally exhausting. Eventually, their motivation drains as their labour bears little fruit with the audience, and they simply want to push it to the poll and be done with it. Even once all their cards are down, there’s still no guarantee that their efforts will be rewarded, even less so when it comes to skills. With such a high mental cost with a low rate of success, you have to ask, “Was it worth it?” And that’s why new skill proposals are far and few between. A new skill used to be exciting for the development team in the actual days of 2007, as they had the developmental freedom to do whatever they wanted, but in the modern day that is not so much the case.
5-4 - The Problems of Democracy
Ever since the conceptualization of democracy in the real world, people have been very aware of its disadvantages. And while I don’t have the talent, knowledge, or time to discuss every one of these factors, there are a few that are very relevant when it comes to the OSRS Team and the polling process. But first we should recognize the OSRS Team’s relationship with the players. More and more, the Team acts like a government to its citizens, the players, and although this situation was intentionally instated with OSRS’s release, it’s even more prominent now. The Team decides the type of content that gets to go into a poll, and the players get their input over whether that particular piece makes it in. Similarly, players make suggestions to the Team that, in many cases, the Team hadn’t thought of themselves. This synergy is phenomenal and almost unheard of among video games, but the polling system changes the mechanics of this relationship. Polls were introduced to the burned and scarred population of players at OSRS’s release in 2013. Many of these players had just freshly come off RS2 after a series of disastrous updates or had quit long before from other controversies. The Squeal of Fortune, the Evolution of Combat, even the original Wilderness Removal had forced numerous players out and murdered their trust in Jagex. To try and get players to recommit to Runescape, Jagex offered OSRS a polling system by which the players would determine what went into the game, where the players got to hold all the cards. They also asked the players what threshold should be required for polled items to pass, and among the odd 50% or 55% being shouted out, the vast majority of players wanted 70%, 75%, 80%, or even 85%. There was a massive population in favour of a conservative game that would mostly remain untouched, and therefore kept pure from the corruption RS2 had previously endured. Right from the start, players started noticing holes in this system. After all, the OSRS Team was still the sole decider of what would actually be polled in the first place. Long-requested changes took forever to be polled (if ever polled at all) if the OSRS Team didn’t want to deal with that particular problem or didn’t like that idea. Similarly, the Team essentially had desk jobs with a noose kept around their neck – they could perform almost nothing without the players, their slave masters, seeing, criticizing, and tearing out every inch of developmental or visionary freedom they had. Ever hear about the controversy of Erin the duck? Take a look at the wiki or do a search through the subreddit history. It’s pretty fantastic, and a good window into the minds of the early OSRS playerbase. But as the years have gone on, the perspective of the players has shifted. There is now a much healthier and more trusting relationship between them and the Team, much more flexibility in what the players allow the Team to handle, and a much greater tolerance and even love of change. But the challenges of democracy haven’t just fallen away. Everyone having the right to vote is a fundamental tenet of the democratic system, but unfortunately that also means that everyone has the right to vote. For OSRS, that means that every member, whether it’s their first day in game, their ten thousandth hour played, those who have no idea about what the poll’s about, those who haven’t read a single quest (the worst group), those who RWT and bot, those who scam and lure, and every professional armchair developer like myself get to vote. In short, no one will ever be perfectly informed on every aspect of the game, or at least know when to skip when they should. Similarly, people will almost never vote in favour of making their game harder, even at the cost of game integrity, or at least not enough people would vote in such a fashion to reach a 75% majority. These issues are well recognized. The adoption of the controversial “integrity updates” was Jagex’s solution to these problems. In this way, Jagex has become even more like a government to the players. The average citizen of a democratic country cannot and will not make major decisions that favour everyone around themselves if it comes at a personal cost. Rather, that’s one of the major roles of a government: to make decisions for changes for the common good that an individual can’t or won’t make on their own. No one’s going to willingly hand over cash to help repave a road on the opposite side of the city – that’s why taxes are a necessary evil. It’s easy to see that the players don’t always know what’s best for their game and sometimes need to rely on that parent to decide for them, even if it results in some personal loss. But players still generally like the polls, and Jagex still appears to respect them for the most part. Being the government of the game, Jagex could very well choose to ignore them, but would risk the loss of their citizens to other lands. And there are some very strong reasons to keep them: the players still like having at least one hand on the wheel when it comes to new content or ideas. Also, it acts as a nice veto card should Jagex try to push RS3’s abusive tactics on OSRS and therefore prevent such potential damage. But now we come to the topic of today: the introduction of a new skill. Essentially, a new skill must pass a poll in order to enter the game. While it’s easy to say, “If a skill idea is good enough, it’ll pass the threshold,” that’s not entirely true. The only skill that could really pass the 75% mark is not necessarily a well-designed skill, but rather a crowd-pleasing skill. While the two aren’t mutually exclusive, the latter is far easier to make than the former. Take Dungeoneering: if you were to poll it today as an exact replica of RS2’s version, it would likely be the highest scoring skill yet, perhaps even passing, despite every criticism that’s been previously emphasized describing why it has no respect for the current definition of “skill.” Furthermore, a crowd-pleasing skill can easily fall prey to deindividualization of vision and result in a bland “studio skill” (in the same vein as a “studio film”), one that feels manufactured by a board of soulless machines rather than a director’s unique creation. This draws straight back to the afore-mentioned issues with democracy: that people A) don’t always understand what they’re voting for or against, and B) people will never vote for something that makes their game tougher or results in no benefit to oneself. Again, these were not issues in the old days of RS2, but are the problems we face with our modern standards and decision making systems. The reality that must be faced is that the polling system is not an engine of creation nor is it a means of constructive feedback – it’s a system of judgement, binary and oversimplified in its methodology. It’s easy to interact with and requires no more than 10 seconds of a player’s time, a mere mindless moment, to decide the fate of an idea made by an individual or team, regardless of their deep or shallow knowledge of game mechanics, strong or weak vision of design philosophy, great or terrible understanding of the game’s history, and their awareness of blindness towards the modern community. It’s a system which disproportionately boils down the quality of discussion that is necessitated by a skill, which gives it the same significance as the question “Should we allow players to recolour the Rocky pet by feeding it berries?” with the only available answers being a dualistic “This idea is perfect and should be implemented exactly as outlined” or “This idea is terrible and should never be spoken of again.” So what do you do? Let Jagex throw in whatever they want? Reduce the threshold, or reduce it just for skills? Make a poll that lists a bunch of skills and forces the players to choose one of them to enter the game? Simply poll the question, “Should we have a new skill?” then let Jagex decide what it is? Put more options on the scale of “yes” to “no” and weigh each appropriately? All these options sound distasteful because there are obvious weaknesses to each. But that is the Third Great Irony we face: an immense desire for a new skill, but no realistic means to ever get one.
6-0 - Conclusion
I can only imagine that if you’ve truly read everything up to this point, it’s taken you through quite the rollercoaster. We’ve walked through the history of OSRS skill attempts, unconstructive arguments, various aspects of modern skill design philosophy, and the OSRS Team and skill design process. When you take it all together, it’s easy to get overwhelmed by all the thought that needs to go into a modern skill and all the issues that might prevent its success. Complexity, naming conventions, categorizations, integration, rewards and motivations, bankstanding and buyables, the difficulties of skill bloat, balancing, and skill endgames, aesthetics, the design process, public presentation, development effort, democracy and polling - these are the challenges of designing and introducing modern skills. To have to cope with it all is draining and maybe even impossible, and therefore it begs the question: is trying to get a new skill even worth it? Maybe. Thanks for reading. Tl;dr: Designing a modern skill requires acknowledging the vast history of Runescape, understanding why players make certain criticisms and what exactly they’re saying in terms of game mechanics, before finally developing solutions. Only then can you subject your ideas to a polling system that is built to oversimplify them.
Thank you for taking part of the 2020 edition of /reddevils' census! We had 3,459 responses over the course of several days, and increase of . Here are the results! Age With a year passing, it's understandable that our user base has also aged. What is interesting is that while last year 59.5% of the userbase indicated that they were 25 and younger, only 46.1% did so this year. Given that there was also a large increase in respondents for the "26-30" age group, it seems that we had a lot of 25 year old folks responding last year. Here is a chart showing the break out by age group and also an age distribution graph. I've included also a year-over-year comparison this year. These do not represent percent change but rather simple subtraction. For example, the 4.1% increase seen in the "26-30" age group comes from this year's "26-30" being 29.17% of this years census responses vs. only being 25.07% last year. Conclusion? We're getting old folks. Gender As with every census we've run, /reddevils is overwhelmingly male. 96.2% of respondents indicated that they were male which translates to 3,328 out of the 3,459 responses. The number of ladies here increased greatly compared to last year with 72, up from 28 in 2019. 18 respondents declined to specify their gender while 41 responded with another gender. Our resident Wookiees have increased in number to 3, up from 1 last year and in the 2012 census. 2 respondents responded as being Non-binary as well as 2 indicated that they were Olesexual. Each of the following received one response apiece: Coca Cola Can, Lockheed Martin F-35 Lightning II, Cube, Moderator, Divine Enlightened Energy Being, Two-Horned Rainbow Unicorn, Earthworm, Bisexual Leprechaun (who, surprisingly was not from Ireland but rather the Land Down Under), Absolute Chad, Anti-Virus, Attack Titan, Neymar, Ole-Wan Keaneobi, Parrot Lord, Frank Lampard, Optimus Prime, Potato, Slightly Under Ripe Kumquat, Gek (Geek?), Twin Engine Rafale Fighter Jet, Gender Is A Construct, Vulcan, Washing Machine, Wolfbrother, Juggernaut, Woolly Mammoth, Luke Shaw's Masculine Bottom, and Mail. There was also one respondent who deigned to use the "Other" option here to leave me a very rude message. Guess you can't please everyone. Employment Most of the reds are employed (75.3% across the Employed, Student Employed, and Self Employed categories), up from last years' 71.5%. Given the current state of the world, it is nice to see that most are still employed. Our student population has gone down, understadably, from 37.4% across the two student categories to 30.0%. A full breakdown of the year-over-year changes can be seen here. Our retirees increased in number from 1 last year to 11 this. Enjoy retirement sirs/madams. Residence As expected, the majority of /reddevils is UK or US based (25.85% and 25.93%, respectively). We have seen major changes this year, particularly in relation to Scandinavia, which saw the largest increase in percentage points year-over-year. I wonder what happened there. If we're breaking it down by the regions I arbitrarily put into the census form, UK (England) is the clear winner for a second year running with 569 members reporting living in England and another 184 specifically saying they are in Manchester. I received some feedback about covering large areas with a single region. This was largely driven by how few responses had come from these these regions historically. I'll include a few more next year but please do not expect me to list every one of the the 195 countries in the world. I've also received some feedback about not allowing any options for folks with family ties or had grown up in England/Manchester and had moved away. This will also be included in next years census. Season TicketholdeMatches Attended Overwhelmingly, most of us here are not season ticketholders (97.95%). We did see an increase in those who are, though it is fairly minor. Most folks are unable to attend games as well. The number of fans who do go to many games (16+ per season) more than tripled from last year. You all are the real MVPs. How long have you been following football/Manchester United? Understandably, we don't have a whole lot of new fans. Interestingly enough though, we've had a large increase in folks who have started following football regularly in the last 1-3 years despite having followed United for longer than that. Putting on my tin foil hat, that at least makes me think we're more fun to watch these days. How long have you been a subscriber to /reddevils and how do you usually access Reddit? There are a lot of new-ish users with 63.6% reporting they have subscribed here for less than 3 years. We have a decent number of /reddevils veterans however, 154 users indicated that they had been subscribed for more than 8 years. It's good to see the old guard still around. Unsurprisingly, Reddit apps are the most popular method to access Reddit by far. This is followed by Old Reddit users on Desktop, users of the Mobile Reddit website, and then New Reddit users coming in dead last. Long live old Reddit. Favorite Current Player The mood around this question was incredibly different than last year. Last year, many were vocal indicating that they had a hard time choosing due to our squad being shit. Victor Lindelof ended up being the by and large favorite with around a quarter of the votes, followed by Paul Pogba and Marcus Rashford. This year, it appeared that there were no such issues. Only 1 response in the survey indicated that they couldn't choose because our squad was shit while the vast majority either selected a player or indicated that they loved them all. Prime Minister Doctor Sir Marcus Rashford overwhelmingly came in first place with an almost 300 vote lead over second placed Anthony Martial. Bruno Fernandes and Mason Greenwood were neck and neck for a while, eventually settling into third and fourth respectively. Former crowd favorites Victor Lindelof and Paul Pogba fell down the rankings with Lindelof ending in 8th place and Pogba in 5th. Favorite All Time Player Wayne Rooney continued to the be the king of /reddevils amassing nearly double the votes of second placed Paul Scholes. Cristiano Ronaldo came in third after a very tight race with Scholes. Beckham came in fourth followed by fifth placed Cantona and sixth placed Giggsy. Here is a year-over-year comparison purely on recorded responses. Most players received just about the same share of the votes as they did last year. The biggest changes came from Wayne Rooney (up) and David Beckham (down). The way the numbers land, it almost looks like Wazza was stealing votes from Becks! Ole Gunnar Solskjaer had more of the proverbial pie, again I wonder whats happened there. My man Park Ji Sung came in 11th place, good to see that there are at least 58 Park lovers out there! Now for a bit of fun. Someone asked in the Census thread how many of George Best's votes came from Northern Ireland. One user suggested it was all of them, the data on the other hand says otherwise. Only 10 of Best's 29 votes came from Northern Ireland. George Best tied for favorite player there with Wayne Rooney with Paul Scholes and Cristiano Ronaldo tying for 3rd place with 8 votes apiece. I did this same exercise with a few other players. Here are the results:
While Scandinavians votes were joint-most for Ole Gunnar Solskjaer (tied with the UK), he was not the most popular player among respondents living in Scandinavia. He came in second behind Wayne Rooney.
Roy Keane both received the most votes from the Republic of Ireland and was also the most popular player among Irish respondents.
Eric Cantona was not voted heavily by the French. The British, on the other hand, love him with 82 of his 218 votes coming from the United Kingdom. The majority of Cantona voters are older, with 134/218 being over 30 years of age.
Park Ji Sung received the most votes from the US (21) followed by the UK (19) and Southeast Asia (4).
Among respondents from the United Kingdom, Wayne Rooney was the most popular followed by Scholes, Ronaldo, and Cantona.
Among respondents from the United States, South Asia, and Southeast Asia, Wayne Rooney was the most popular. Scholes and Ronaldo alternated in popularity in second and third place. Beckham placed fourth in all three regions.
Thank you all again for your participation. We'll run one next year and see how things have changed!
Main tank here for the last 10+ seasons, main Rein. I’ve been trying to figure out why it feels so terrible right now, even with CC toned down. What I feel is that the massive amounts of damage in this game, matched by the massive amount of healing, has taken away a lot of the ability of a main tank to manage personal HP as a resource. One of the basic things I’ve always kept in mind as rein is safely facetanking damage, utilizing the 200 points of armor to reduce damage taken, and allowing that to be healed up. 300 hp has been my mental “safe spot” for judging my aggression. Lately, however, I find that even at full HP, I can never feel safe even just firestriking without the risk of going to extremely low HP or even dying. What I’ve sort of realized is that this mid-ground health doesn’t even really exist anymore. It feels like you are either being pocketed at full hp, or you’re dead, and there’s extremely little time in between. Once I noticed this, I thought “hey, maybe I’m just bad” so in the main tank streams I watch (super and cloneman, for example) I paid special attention to their health totals throughout games, and I noticed a very similar pattern. They would spend the majority of the time either above 400 hp while getting healed, or would immediately drop to roughly 100 hp, where either they’d have to get hard pocketed back to full or die. I think that the damage and healing creep has removed an entire tool (health management) from the tank role, leaving them more reliant on healers than ever before. Specifically, the idea of “facetanking” damage is just too risky now. I can’t alternate my health pool and my shield because there is too high a risk of getting bursted down even within short moments. I think DPS aren’t made as miserable by this because they’re naturally squishy, and by nature don’t want to be focused by multiple members of the enemy team, whereas with tanks that’s your base job. This also leads into CC feeling even worse because the short stun of a cree flashbang is absolutely enough time to get burst down without a bubble or pocket. I also think this is why double-shield is so prevalent, as a symptom of the fact that, with regard to HP pools, the idea of taking “safe amounts” of damage isn’t reliable, and so the best option is to take no hp damage at all, by only playing behind shield where it’s impossible to get burst without the warning of the shield breaking, and to have fortify/suck to keep you from being burst when that shield does go down. I guess basically, how I’d describe the problem I’m witnessing is that the damage and healing creep have made tanks feel far too squishy because of an inability to utilize the middle ranges of HP. As for solutions, I’m not sure the best option, outside of something like a % nerf to both damage and healing across the board, which obviously is an oversimplified solution, but something needs to be done imo to make tank hp pools relevant and not feel like quite such an alive/dead binary. Welcome thoughts, and for now, you can find me queueing support.
The Game Gear version of Gunstar Heroes originally had a ton of flickering issues. This has been fixed for the GG Micro release, but if you want to play with the original flicker intact, hold down on the D-Pad while selecting the game.
Holding Up on the D-Pad while selecting Gunstar Heroes will play a looping demo of the game that ends with "Coming Soon" text. This was a video demo presumably put together for a toy show that happened to be found when Sega provided M2 with the source binaries for the games on the Micro.
Because some of the main menu multiplayer menu options in Puyo Puyo 2 would be rendered useless on the Micro, the main menu screen was redrawn to account for the two remaining modes, and the character on screen also had a blinking animation added.
The two Last Bible games on the Red Micro have new optional "Easy" modes, experience and money earned are tripled in Last Bible, and doubled in Last Bible Special. These additions were inspired by similar options implemented in the PS2 Complete Collection and Sega Ages Nintendo Switch releases of Phantasy Star.
The cheat codes for Sonic & Tails have been made easier to account for the smaller buttons. For example, the level select code in Sonic & Tails is now pressing, Up, Up, Down, Down on the title screen, and to access the sound test, you press Down, Down, Up, Up.
Likewise with Sonic & Tails, Puyo Puyo 2's cheat codes were also simplified for the same reasons. To change the appearance of Puyos in-game, you simply press and hold the start button and either the 1 or 2 button as the game's opening demo plays.
Other random details:
The GG Shinobi was used as a litmus test by M2 to determine whether or not action platformers would be viable on the Micro's tiny screen
The menu music was composed by chibi-tech. The alternate music that plays when returning to the menu after starting a game was composed by Shinichi Sakamoto, composer of the Wonder Boy games.
The screen showing off the open source software used for the Micro's development plays a short looping song based on Greensleeves. This was chosen because the same song was also used for Sega's old UFO catcher machines.
When the battery is about to die, one of six warning screens will display, showing characters from Alex Kidd Fantasy Zone, and Flicky, among others. While you can't exit back to the game when this warning appears, it does allow you to quickly create a save state before the power goes off.
For what's essentially a novelty toy that isn't leaving Japan, M2 sure did go above and beyond here, as far as emulation and features are concerned.
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